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This file contains:
Liscencing agreement with Dangerous To Know;
Correspondence between James Mackay and companies requesting the loan of 'Glitterbug' (including MTV);
Correspondence regarding the distribution of 'Glitterbug' in Japan;
Biographies for Brian Eno, James Mackay, Derek Jarman and Andy Crabb (editor);
Handwritten correspondence between James Mackay and the Melbourne Film Festival;
Agreement drawn up by Mackay's solicitors for Melbourne Festival regarding exhibition;
Correspondence back and forth regarding the above contract;
Correspondence regarding the apparent illegal release (lasting only one week) of 'Glitterbug' in Melbourne;
Correspondence between James Mackay and Opal Limited regarding adequate credits for music copyright for 'Glitterbug';
Correspondence regarding the BFI's decision to make a 35mm Dolby Stereo version of Glitterbug for Theatrical Release;
Request by Danish Film Institute to screen 'Blue' at their festival;
Correspondence between James Mackay and the BBC expressing disappointment about the 'Glitterbug''s lack of popularity;
Motion Picture Service Agreement betyween Basilisk and Dolby Laboratories Inc.;
Annotated (by hand) copy of stills list for 'Arena';
Correspondence between James Mackay and BBC regarding schedule of festival screenings, including San Francisco Lesbian and Gay Film Festival, Sydney International Film Festival and Edinburgh Film Festival;
Requests to screen Glitterbug from the Vienna International FIlm Festival, the Rotterdam Film Festival, the Hong Kong Lesbian and Gay Film Festival;
Trademark and Standardization Agreement, Motion Picture Soundtracks, between Basilisk Communications Ltd and Dolby;
Handwritten letter from fan of Jarman's work;
Correspondence between the BFI and the solicitors, Simon Goldberg, regarding contracts for Blue and Glitterbug;
Interest from the Australian Broadcasting Corporation in previewing Glitterbug;
Correspondence between Basilisk and the company Curio.
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