| Description | Folder labelled 'Temenos A' [c 1996-1999]: correspondence about 'Temenos' (Danino, 1998) between Basilisk Communications Ltd. and the Arts Council England; correspondence from the London Production Fund; 'Temenos' filming and disrtibution budgets and processing and printing costs; aims and purpose of 'Temenos'; list of intertitles and opening and closing credits; correspondence about funding and spending from the Arts Council England; application for the National Lottery Award and confirmation of award and fees offered; screening arrangements; correspondence about the Producer's Fee; terms and conditions of the grant to the British Film Institute; correspondence between the British Film Institute and Basilisk Communications Ltd. about their contribution to the print and release of 'Temenos', distribution contracts, and UK and international distribution plans; Danino's correspondence about funding and payment; confirmation of an editing suite; handwritten letters from Danino to Mackay; release forms.
Folder labelled 'Temenos B' [c 1997-1998]: Sainkho Namtchvlak's performance agreement; correspondence between Basilisk Communications Ltd. and a solicitor; Hardwick Film Festival, Edinburgh International Film Festival Bangkok Film Festival, and others requesting a screening of 'Temenos'; handwritten letters from Danino to Mackay, content includes the Sydney Film Festival; correspondence to Basilisk Communications Ltd. about film supply rates and prices; location filming agrement and production budgets; 'Temenos' archive credits; documents about 'Temenos', possibly a treatment or press release - includes photographs; postcard for 'Now I Am Yours', filmed, edited, and spoken by Nina Danino; biography and main works of Danino.
Folder labelled 'Hannah Collins, 'Every Other Day' [c 1997-1999]: Arts Council England guidelines for applicants for Lottery funding and application form for 'Every Other Day'; budgets and salaries for production; Arts Council England correspondence confirming the Advanced Notice Form for 'Every Other Day'; correspondence from the curator of the Israel Museum, Jerusalem and LUX Gallery, London, stating interest in staging the film; budgets for possible staging; letters from Collins to Mackay; Collins' notes on the film installation, including detail about the film, production, and cast; draft budgets; treatment proposal for 'Every Other Day'; Collins' selected biography - with mentioned of Mackay and Jarman's films. |