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BDC 2 - Don Boyd Papers
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1694 - Hard Drive containing HiBROW website
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1 - Leatherbound document file and minutes of meetings
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2 - Accounts for the year ended 31 Dec 1976
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3 - Accounts for the year ended 31 Dec 1977
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4 - Accounts for the year ended 31 Dec 1977
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5 - Accounts for the year ended 31 Dec 1976
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6 - Accounts for the year ended 31 Dec 1978
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7 - Accounts for the year ended 31 Dec 1975
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8 - Accounts for the year ended 31 Dec 1976
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9 - Accounts for the year ended 31 Dec 1977
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10 - Accounts for the year ended 31 Dec 1977
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11 - Memorandum and New Articles of Association of Minbourne Ltd.
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12 - Correspondence with the Ufland Agency, California
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13 - Variety Club correspondence
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14 - Papers relating to Sarah Forbes and 'Hitch your wagon to the stars'
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15 - Documents relating to 'The Town That Went Mad'
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16 - Documents for 'Scrubbers' and 'Neutron'
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17 - Documents relating to the preparations for Channel 4 and independent broadcasting
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18 - Documents on distribution of 'The Tempest', 'Scum', 'Blue Suede Shoes' and 'Hussy'
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19 - Documents on 'Sweet William' and TV rights
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20 - File on Mai Zetterling and 'Scrubbers'
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21 - Circulars from The British Film and Television Producers Association and The Independent Programme Producers Association
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22 - File on 'Scum'
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23 - File on Wallace Publicity relating to marketing
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24 - File on Association of Independent Producers
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25 - Papers relating to Boyd's BBC appearances on 'Tonight' and 'Take One'
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26 - Papers relating to the Protection of Children Act 1978 and the Association of Cinematograph and Television Technicians (BBFC)
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27 - Letters from American Arts Association and British American Repertory Company
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28 - Papers from the British Film Fund Agency
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29 - File relating to the British American Repertory Company (BARC)
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30 - File on Association of Cinematograph and Television Technicians (ACTT)
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31 - File containing minutes and meeting agendas for the Association of Cinematograph and Television Technicians (ACTT)
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32 - File on The British Academy of Film and Television Arts (BAFTA)
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33 - British Film Institute correspondence
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34 - File on British Film Producers Association Ltd.
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35 - Film on British Film Producers Association Ltd.
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36 - File on British Film Producers Association Ltd.
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37 - File on British Film Producers Association Ltd.
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38 - File on British Film Producers Association Ltd.
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39 - File on British Film Producers Association Ltd.
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40 - File on British Film & Television Producers Association Ltd.
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41 - Correspondence on crewing of future projects
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44 - File on 'Sweet William'
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45 - File of Don Boyd's overseas expenses
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46 - File on 'The Beard' (animated short film)
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47 - File on 'Scum' promotion and distribution
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48 - Mike Larkin's technical invoices and receipts
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49 - Blank tax forms
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50 - File on 'The Pip Simmons Group' and 'Dream of a Ridiculous Man' recording sessions
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52 - Leatherbound accounts journal
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53 - Industrial contacts information
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54 - File on Berwick Street Films Ltd.
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55 - Invoices and permission slips for the production of 'Honkytonk Freeway'
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56 - Documents relating to house rental during 'Honkytonk Freeway'
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58 - Production documents for 'An Unsuitable Job for a Woman'
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59 - Set of casting photographs, CVs and press cuttings( particularly of Anne Louis Lambert)
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60 - Invoices and accounts for the production of 'An Unsuitable Job for a Woman'
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61 - File for 'The Tempest'
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63 - Schedule and financial documents for 'Hussy'
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64 - Partnership agreements and budget for 'Scum'
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65 - Partnership agreements and budget for 'Blue Suede Shoes'
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66 - Casting submissions for 'Gossip'
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67 - Notes made in Jamaica for 'Gossip'
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68 - Amendments to final script for 'Gossip'
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70 - Documents relating to the production of 'Gossip'
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71 - Production documents and technical notes for 'Gossip'
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72 - Correspondence for 'The Tempest'
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73 - Correspondence between David Puttnam and Don Boyd
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74 - Notes for 'Hussy' and 'Blue Suede Shoes'
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75 - Cuttings relating to 'Hussy' and 'Blue Suede Shoes'
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76 - Assorted Don Boyd press cuttings (mostly concerned with 'An Unsuitable Job for a Woman')
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77 - File on 'Gossip'
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78 - Minutes of meetings for Number 8 Films Ltd. and Halregis Ltd.
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79 - Notes on 'Sweet William', theft of camera equipment on 'Honkytonk Freeway' and insurance documents
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80 - File on Sam Waterston
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81 - Music contracts for 'The Tempest'
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82 - Script and notes for 'Gossip'
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83 - Miscellaneous script submissions
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84 - Production proposal by Skreba Films Ltd. for 'The Return of the Soldier'
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85 - File on 'The Tempest'
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86 - File on 'Gossip' (relating to script development)
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87 - Legal correspondence and pre-production notes on undeveloped projects
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88 - File on untitled, unfinished Ian McEwan collaboration
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89 - Don Boyd's production correspondence with Julian Melzack
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90 - Contracts for the lease of Berwick St. Studios
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91 - Production papers for 'Scum' (financial documents and post-production notes)
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92 - File on distribution of 'The Great Rock 'n' Roll Swindle'
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93 - File on distribution for 'Hussy'
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94 - Various correspondence relating to Jeremy Watt
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95 - References to 'Blue Suede Shoes ,'Honkytonk Freeway', 'The Four Seasons', Emma Relph, 'Woman at Risk' and 'Anti-Clock'
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96 - Various Kendon Films files relating to 'Holiday Island', 'Nighthawks', 'Out of the Blue', 'St. Jack' and 'Sea Dance'
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97 - File on 'Scum' distribution and contracts
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98 - PAYE and National Insurance file relating to Wallace Publicity Ltd.
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99 - Insurance file for 'Scum', 'Hussy' and 'Scrubbers'
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100 - Distribution documents for 'Osprey'
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101 - Correspondence with EMI Films Ltd. regarding 'Honky Tonk Freeway'
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102 - Files and correspondence on the shooting of 'Gossip'
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103 - File on 'Hussy' production
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104 - Letters concerning the attachment of the Boyd's Co. logo to release prints
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105 - Pre-production agreements for 'The Highland Queen'
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106 - Cast notes and agreements for 'Gossip'
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107 - File (including screenplay treatment) for 'Holiday Island'
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108 - File (including screenplay treatment) for 'Monty the Mole' animated cartoon
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109 - Correspondence between Don Boyd and David Puttnam
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110 - Agent files for various actors
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111 - General casting documents
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112 - Blank writers' contracts
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113 - File for 'Real Class'
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114 - Screenplay treatment for 'Real Class' ('La Vraie Class')
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115 - Development documents for 'Real Class'
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116 - Casting file for 'Real Class'
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117 - File on use of Holloway Sanitorium for shooting (possibly for 'Scrubbers')
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118 - File on Serafina Clarke and Margaret Ramsey (literary agents)
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119 - Insurance, unit list and cast list for 'Scrubbers'
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120 - Screenplay drafts and notes for 'Real Class'
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121 - Miscellaneous production documents and correspondence for 'East of Elephant Rock', 'The Golden Heart of Doctor Dream' and 'Scum'
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122 - Documents (including script treatment) relating to a planned project about Aleister Crowley written by Paul Mayersberg
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123 - File on 'Captive' (also known as 'Heroine')
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124 - File on 'Woman at Risk'
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125 - File of miscellaneous documents for 'Captive' (also known as 'Heroine')
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126 - File on Glyndebourne Festival and Astor, Boyd & Hope
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127 - Letters of engagement for 'Captive' (also known as 'Heroine')
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128 - Miscellaneous production documents for 'Captive' (also known as 'Heroine')
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129 - Correspondence with Roger Daltrey about 'The Krays'
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130 - Screenplay for 'The Barrie Trilogy'
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131 - Screenplay for 'Babylon'
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132 - Script for 'Swamp Chase'
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133 - Outline for children's feature or six part serial 'The Secret of the Black Loch'
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134 - First draft screenplay of 'Mister Sunlight'
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135 - Revised first draft screenplay of 'Mister Sunlight'
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136 - Screenplay for 'Tick Tock'
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137 - Screenplays for 'The Boys in Black' and 'Scum'
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138 - Screenplay for 'The Upstart'
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139 - Casting file for 'The Krays'
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140 - File on 'The Krays' and 'Profession of Violence' (including Bill Bryden's screenplay)
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141 - File on 'The Krays' and 'Profession of Violence'
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142 - File on 'The Krays' and 'Profession of Violence'
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143 - Miscellaneous financial, legal, and tax papers
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144 - Production costs for 'Hussy'
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145 - Partnership agreements for 'Hussy'
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146 - Name change and certificates of Registration for Berwick St. Films and Arealands Ltd.
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147 - Accounts file for Kendon Films, year ending 1977
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148 - Accounts file for Kendon Films, year ending 1976
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149 - File for 'Blue Suede Shoes'
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150 - File on 'Sweet William'
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151 - File on 'Hussy'
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152 - File on 'Hussy' and Matthew Chapman
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153 - Papers on miscellaneous uncompleted projects
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154 - File on Cannes Film Festival 1978
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155 - File on Cannes Film Festival 1980
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156 - File on Cannes Film Festival 1977
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157 - File on MIP-TV correspondence 1976
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158 - File on MIP-TV correspondence 1977
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159 - File on MIP-TV correspondence 1979
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160 - Personal and business correspondence of James Atherton
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161 - File on Eckersley, Hicks & Co. Ltd.
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162 - Photographs and CVs relating to general casting
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163 - Papers relating to the production of 'Scum'
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164 - File relating to 'An Unsuitable Job for a Woman'
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165 - File on 'East of Elephant Rock', including sound effects dubbing
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166 - Correspondence between James Atherton and R H.Jacobs relating to script treatment for 'The Last Battle'
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167 - Financial note on 'The Immortalist'
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168 - Financial note on 'The Abdication Speech'
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169 - File on 'Saint Jack'
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171 - File on 'An American Werewolf in London'
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172 - File on labotory work for 'Intimate Reflections'
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173 - Miscellaneous accounts files for Kendon Films, Boyd's Co., Wallace Publicity Ltd. and Berwick St. Films Ltd.
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174 - File on distribution of 'Hussy' and 'Sweet William'
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175 - Correspondence with the Film Production Association of Great Britain
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176 - File on 'The Town that Went Mad'
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177 - File of insurance and production documents for reprints of 'East of Elephant Rock'
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178 - Cannes Film Festival 1978
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179 - File on Nairn Enterprises (Bermuda)
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180 - File on the National Film Finance Corporation (NFFC)
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181 - 'GBCT News' periodicals
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182 - Miscellaneous financial, legal and production documents for 'The Tempest'
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183 - Contacts and correspondence for 'Sweet William'
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184 - File of miscellaneous documents for the British Film Producers Association
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185 - File for Number 8 Films Ltd. (including accounts)
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186 - Accounts file for Wallace Publicity Ltd.
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187 - Financial data for 'Sweet William'
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188 - Files relating to the production of 'Hussy'
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189 - Files relating to 'An Unsuitable Job For a Woman'
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190 - Miscellaneous invoices from 'An Unsuitable Job for a Woman'
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191 - Miscellaneous papers, including unspecified script and research notes
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192 - File for 'The Great Rock n' Roll Swindle'
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193 - Sales invoices
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194 - File relating to Kendon Films
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195 - Correspondence with Wimpole Street Films Ltd. relating to funding project
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196 - Documents relating to the lease of the property at 8 Berwick Street
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197 - VAT returns for Berwick St. Studios
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198 - Deed and correspondence between Rossminster Ltd. And Berwick St. Films
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199 - Tax and financial documents for Kendon Films
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200 - Company documents for Minbourne Ltd. and Kendon Films
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201 - Correspondence with bank
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202 - VAT returns for Berwick St. Films
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203 - Correspondence relating to dispute with Hogarth Leasing Ltd. over outstanding rent payments
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204 - Miscellaneous correspondence [relating to Berwick St. Studios and Boyd's Co.]
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205 - File of correspondence [relating to 'The Girl with Brains in Her Feet']
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206 - Press notes, credits and synopsis for 'East of Elephant Rock'
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207 - Press cuttings of Don Boyd
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208 - Publicity materials for Boyd's Co. films
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209 - Financial documents for Berwick St. Films
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210 - Papers (including script draft) for the proposed TV series 'Sweet and Sour'
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211 - Contracts and accounts for Berwick St. Films
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212 - Press notes for 'East of Elephant Rock', production notes for 'The Tempest' and programme for 'Sweet William'
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213 - File on distribution for 'Blue Suede Shoes' and 'Nighthawks'
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214 - File for Wallace Publicity Ltd.
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215 - Papers [relating to 'Ruby Wax Meets...']
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216 - Kendon Films purchase documents
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217 - Reports on marketing strategies for 'East of Elephant Rock'
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218 - Boyd's Co TV and Video marketing correspondence
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219 - Papers relating to the Boyd's Co 'Fairy Tales' series
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220 - Miscellaneous papers relating to the Berwick St. offices
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221 - Continuity reports for 'Boys in Black' and 'Scum'
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222 - File of miscellaneous papers [relating to Boyd's Co. and Kendon Films]
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223 - Literature relating to film festivals
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224 - Purchase ledgers for Boyd's Co
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225 - Correspondence with Thorn and EMI
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226 - Papers relating to actors' lodgings during production of 'Sweet William'
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227 - VAT forms for Berwick St. Films
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228 - File on office cleaning [at Boyd's Co]
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229 - File of research on the future of Cable Television
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230 - File on business plans for 'The Ryde' project of corporate restructuring
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231 - File on plans for redevelopment of the Phoenix Theatre complex, London
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232 - Miscellaneous documents relating to Boyd's Co.
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233 - Correspondence with the William Morris Agency, Beverly Hills
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234 - Profile of Boyd's Co
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235 - File on Alistair Boyd
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236 - Miscellaneous documents including screenplay for 'Blacklist'
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237 - Corporate tax forms for Boyd's Co
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238 - File of correspondence relating to the planning of 'Real Class' and Rank Film Distribution
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239 - Personnel and hiring papers for Boyd's Co
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240 - Miscellaneous invoices and receipts for Kendon Films
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241 - Invoices and accounts for Wallace Publicity Ltd.
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242 - Expense forms for 'The Tempest'
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243 - Travel expenses for Boyd's Co
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244 - Miscellaneous invoices for Boyd's Co
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245 - British Film Fund Agency applications relating to 'Intimate Reflections'
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246 - VAT forms for Berwick St Films
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247 - File on the planned development of the Phoenix Theatre Complex
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248 - Script notes, synopses and CV for Don Boyd and papers relating to marketing, Boyd's Co.
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250 - Insurance documents for Wallace Publicity Ltd., Kendon Films and Boyd's Co.
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251 - Agreement with Simon Perry over script for short film 'Commercial Break'
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252 - Agreement with Melvyn Bragg over script for film 'Josh Lawson' (including script treatment)
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253 - Company and personal expenses of Don Boyd
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254 - Invoices and time sheets for Russel Foster
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255 - Life Insurance documentation for Boyd's Co
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256 - Documentation for equipment insurance
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257 - File on proposals for a reggae film entitled 'Babylon'
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259 - Documents relating to the sale of Berwick St. recording studios
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260 - File on production of 'The Princess and the Pea'
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261 - Telex accounts and correspondence [relating to Kendon Films]
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262 - Papers relating to dispute between Wallace Publicity Ltd. and Bovis Construction
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263 - Papers relating to supply of electricity to Berwick St. Studios by London Electricity
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264 - Papers relating to telephones for Wallace Publicity Ltd.
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265 - Income tax forms for Boyd's Co.
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266 - Balance sheets for Wallace Publicity Ltd.
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267 - Accounts for Minbourne Ltd.
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268 - File on Scala Cinema
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269 - File on rates and Westminster Council relating to Berwick St. premises
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270 - Tax documents for Wallace Publicity Ltd.
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271 - Balance sheets for Kendon Films
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272 - Management accounts for audit of Wallace Publicity Ltd.
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273 - File relating to Berwick St. premises
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274 - Travel details and other schedule documents for Cannes Film Festival 1987
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275 - Accounts and auditors' report [relating to Berwick St. Films]
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276 - Contacts lists and other production notes for 'Aria'
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277 - Cast lists, contracts and call sheets for 'Twenty-One'
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278 - Deal memos, contracts and correspondence for 'Twenty-one'
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279 - Call sheets, pre-production schedule and shooting schedules for 'Twenty-One'
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280 - Accounts for Wallace Publicity Ltd.
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281 - File on company cars and motor insurance for Kendon Films
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282 - Bank account details, statements and correspondence for Boyd's Co.
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283 - Equipment receipts for Boyd's Co.
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284 - Building insurance documents for Kendon Films and Berwick St. offices
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285 - Production documents for 'Twenty-One'
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286 - Papers relating to 'Twenty-One'
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287 - Papers relating to 'Twenty-One'
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288 - Script pages with notes and alterations for 'Twenty-One'
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289 - Screenplay drafts and annotated shooting scripts for 'Twenty-One'
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290 - Script for 'Twenty-One'
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291 - Papers relating to the receivership, insolvency and liquidation of Boyd's Co.
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292 - Personal notebook of Don Boyd containing script notes for unidentified projects [? Twenty-One]
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293 - File of personal correspondence and papers concerning rental of Italian villa
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294 - Literary purchase (Zoe Heller) agreement, service agreement and director's agreement relating to 'Twenty-One'
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295 - File on costs, revenues and correspondence for Derek Jarman's 'The Last of England'
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296 - Agreements, insurance and contracts for Derek Jarman's 'War Requiem'
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297 - Correspondence, cast lists, budget notes, script and schedules for 'War Requiem'
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298 - File of correspondence and miscellaneous production and budget documents for 'War Requiem'
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299 - Poster design, music cue sheets, advertising and publicity materials for 'Aria'
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300 - Soundtrack contracts, insurance and correspondence for 'The Last of England'
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301 - File on Derek Jarman's pop video productions
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302 - Files relating to the presentation of 'Aria' in various film festivals
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303 - Budget, screenplay, correspondence, Berlin Film Festival, distribution, advertising and archival footage for 'War Requiem'
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304 - Publicity, Don Boyd's production diary, script drafts and photocopy of Jarman's published screenplay for 'War Requiem'
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305 - Faxes, correspondence, daily reports, script change memos and camera tests for 'Twenty-One'
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306 - Contact lists, location agreements and daily progress reports for 'Twenty-One'
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307 - Daily progress reports, general correspondence, research memo (relating to heroin use), credit changes and bonds for 'Twenty-One'
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308 - General correspondence, contracts, car hire documents, purchase invoices, post-production notes and call sheets for 'Twenty-One'
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309 - Contracts, production budget and correspondence for 'Goldeneye'
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310 - Contracts, casting, first shooting script draft, script notes and adjustments for 'Goldeneye'
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311 - Press cuttings, reviews, photographs, publicity material, on-set photo prints and second shooting draft of script for 'Goldeneye'
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312 - Screenplay first draft screenplay and contracts file for 'Goldeneye'
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313 - Screenplay drafts and contracts for uncompleted project 'The Glory'
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314 - Contact sheets, correspondence, call sheets and invoices for 'Aria'
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315 - Publicity and press materials relating to 'Aria'
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316 - File on proposed project 'Past Caring' (including synopses)
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317 - Correspondence with Channel 4 Television and Jeremy Isaacs
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318 - Correspondence regarding proposed adaptation of A N Wilson's biography of Tolstoy
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319 - Correspondence regarding a proposed biographical film about Mother Theresa
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320 - Correspondence with 'The Sunday Times' relating to review of Derek Jarman's 'The Last of England'
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321 - Documents on proposed feature adaptation of Tristan and Isolde with Ken Russell
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322 - Miscellaneous correspondence relating to 'An Unsuitable Job for a Woman' and 'Captive' royalties and Goldcrest Films
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323 - Post-production correspondence, contact sheets and orders for prints for 'Aria'
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324 - Certificate of nationality, correspondence, American reviews and articles in 'Film Comment' for 'Aria'
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325 - Lists of contents of Security Archives Ltd.
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327 - Personal correspondence with Ed Clinton relating to 'Holiday Island' and 'Goldeneye'
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328 - Correspondence, mostly concerning Don Boyd's trip to the USA
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329 - Transcripts of Don Boyd interviews and lectures
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330 - Correspondence between landlords and Boyd's Co.
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331 - File on Anglo-International Films Ltd. Company re-organisation
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332 - Arrangements for performance of opera 'Don Giovanni' at Gray's Inn, London
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333 - Biographies and CVs of Don Boyd's collaborators
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334 - Press cuttings, reviews and interviews of Don Boyd
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335 - Biographies of Don Boyd
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336 - Draft manuscript for an anonymous Don Boyd biography
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337 - Transcripts of Don Boyd interviews and correspondence with ? Guy Phelps
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338 - File on Summerchild Productions
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339 - Treatments, synopses, correspondence and a screenplay draft for a proposed project 'The Grass Widower'
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340 - Correspondence and a treatment for a proposed film entitled 'The Longest Kiss in History'
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341 - File of correspondence on proposed project 'The Glory'
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342 - File on project development with the InterTalent Agency, Beverly Hills
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343 - File on a proposed modern adaptation of Mary Shelley's 'Frankenstein'
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344 - Handwritten notes, scenario, synopsis and correspondence for a proposed adaptation of Vladimir Nabokov's 'Ada'
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345 - Correspondence with H W Fisher and Company chartered accountants
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346 - File of correspondence on legal and copyright issues concerning 'An Unsuitable Job for a Woman'
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347 - Travel documents for trip to New York Aug 1993 [for shooting of ? Kleptomania]
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348 - Legal documents and correspondence relating to dispute with unpaid bill from Allwines Ltd.
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349 - Union papers relating to Producers Alliance for Cinema and Television (PACT), Broadcasting Entertainment Cinematograph and Theatre Union (BECTU), Director's Guild, British Academy of Film and Television Arts (BAFTA)
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350 - File relating to Boyd's Co. insolvency and bankruptcy of Don Boyd
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351 - Various items relating to Saab Finance (car purchase), travel documents, flight information and Groucho Club membership
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352 - Script treatments, correspondence, handwritten notes and synopses for 'Manon Lescaut'
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353 - Correspondence with Finers Solicitors and Howard Kennedy Solicitors over a dispute about royalties with Rank Film Labs
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354 - Proposal for film 'Double Fault' based on the story of German tennis player Baron von Cramm
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355 - Papers concerning life insurance details and funeral arrangements following the death of Donald John Boyd (Senior)
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356 - Papers relating to the London International Film School
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357 - File on undeveloped projects The Web; an adaptation of Albert Camus' 'The Fall, La Chute' and a James Ellroy documentary
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358 - Correspondence with the William Morris Agency
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359 - Bank statements and correspondence
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360 - Documents, correspondence and story copies relating to 'The Edith Wharton Ghost Stories'
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361 - Correspondence with Tony Bristoll and National Westminster Bank
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362 - Files relating to various projects in development 'A Hero of Our Time' (with Nic Roeg), 'My Heart's Desire' (by Jonathan Gems) and a project concerning photographer John Swannell
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363 - Account balance sheets for Anglo-International Films
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364 - Biographies of Don Boyd
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365 - Correspondence about 'The Krays'
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366 - Correspondence relating to proposed project 'The Question of Hu' by Jonathan Spence
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367 - Licence agreements with 'The Production Centre'
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368 - Treatment for film about the Mau Mau
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369 - File on Don Boyd's trip to the Perugia Film Festival
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370 - File on PanOptic and Arcadian International Resorts Ltd.
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371 - Script notes, crew lists, music notes and correspondence relating to major dispute over final cut of 'Kleptomania'
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372 - Correspondence for proposed adaptation of Elgar's opera 'The Dream of Gerontius' by Ken Russell
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373 - Publicity materials relating to 'Twenty-One'
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375 - Building lease documents and surveyors' reports relating to 29 Queen Street and 1 Marlborough Court [London]
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376 - Film sales correspondence for 'Films Around the World'
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377 - Screenplay writing agreements (Catherine Bailey) and general correspondence relating to 'The Berlin Project'
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378 - Location agreements, daily progress reports, synopses and shooting scripts for 'War Requiem'
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379 - Press coverage and reviews, Don Boyd's diaries and notes and draft of introduction to Faber screenplay, as well as programmes for 'War Requiem'
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380 - Press coverage, reviews, programmes, exhibition documents, screenings and slides for 'War Requiem'
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381 - Second and third script drafts, miscellaneous correspondence and telexes for 'Goldeneye'
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382 - First draft shooting script, original script treatments and general correspondence for 'Goldeneye'
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383 - Screening arrangements, Triton Pictures distribution documents and telex receipts for 'Twenty-One'
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384 - Script treatments (with comments), Jamaican National Investment Promotion merchandise, agreements and schedules for 'Goldeneye'
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385 - Soundtrack mixing, activity reports, XMT control receipts, script drafts;'Zoe Heller biography and distribution for 'Twenty-One'
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386 - Early script drafts and master scripts with notes and comments for 'Twenty-One'
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387 - Synopses, cast lists and contact sheets for 'Twenty-One'
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388 - Research material, published articles, story, character outlines and contracts for 'The Berlin Project'
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389 - Research material, published articles, Berlin tourist information and location photographs for 'The Berlin Project'
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390 - Research material and published articles for 'The Berlin Project'
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391 - File containing agreements and correspondence on proposed collaboration with Ian McEwan for adaptation of 'The Comfort of Strangers'
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392 - File on uncompleted projects 'Naverick Hearts' and Venice music project 'Maestro'
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393 - Negotiation of the rights to Alison Lurie's work (inc. 'The Truth about Lorin Jones') for 'Foreign Affairs'
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394 - File on 'OZ88'
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395 - File of correspondence following the 1988 Rio de Janeiro Film Festival
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396 - Correspondence with Bristol University
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397 - Correspondence and script treatment for 'Steamers'
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398 - Correspondence, agreements and research relating to 'The Ten Pound Fare'
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399 - Financial investment plans and correspondence with Zoetrope Studios, Richard Ortoli and Robert Fox relating to Boyd's Co.
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400 - Screenplay drafts and correspondence for 'A Sunday Beer'
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401 - File on John Purdie projects and Boyd-Purdie Productions Ltd.
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402 - Art department breakdown, props lists, location reports, script notes and synopses for 'The Glory'
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403 - File on Boyd-Purdie Productions
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404 - Script drafts, synopses, locations research (including maps), casting notes and correspondence (Christophe Lambert) for 'The Glory'
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405 - Script drafts, budgeting estimates and correspondence for 'The Glory'
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406 - File including press cuttings and student magazines for Cambridge University
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407 - Documents and correspondence, music budgeting, Lee Drysdale's script 'Defenceless under the night' and scripts for 'Manon'
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408 - Documents, correspondence and script drafts (with Don Boyd's notes and revisions) for 'Manon'
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409 - Script drafts (including 'Slaves of Fortune' by Don Boyd and Christina Hutchins) for 'Manon'
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410 - Script drafts and agreements with Christina Hutchins for 'Manon'
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411 - Script drafts and correspondence for 'Manon'
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412 - Script (third draft) and Don Boyd's script notes for 'Manon'
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413 - Correspondence and synopses for 'Manon'
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414 - Dialogue replacement cue sheets, technical log books, accounts file and equity cast contracts for 'An Unsuitable Job for a Woman'
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415 - Don Boyd's personal notebooks, order copies (Mercury Theatres), Cinesound Effects Library transfer sheets and delivery notes (dubbing), sound sheets and plans of sets for various rooms for 'An Unsuitable Job for a Woman'
-
416 - Copies of documents given to John Hardy for 'Twenty-One'
-
417 - Various production and technical papers for 'Goldeneye'
-
418 - Production and technical documents and business correspondence for 'The War Requiem'
-
419 - Plot synopses, correspondence, script treatment and notes, shooting schedules, credits and titles file, contact lists and Cannes Film festival documents for 'Aria'
-
420 - Documents relating to Don Boyd's travel arrangements, flight bookings and hotel reservations ('Aria')
-
421 - Outgoing correspondence relating to 'Aria' and 'Goldeneye'
-
422 - Outgoing correspondence relating to 'Aria' and 'Goldeneye'
-
423 - File of agreements, contacts and correspondence for 'Disco Soul'
-
424 - File on Jimmy Lindsay, UK Subs, and 'Punk Can Take It'
-
425 - Outgoing correspondence of Don Boyd relating to 'Captive' and 'Heroine'
-
426 - Telexes for Boyd's Co. relating to 'Aria'
-
427 - Sales reports for 'Scum'
-
428 - Osprey Films Limited and Boyd's Co. correspondence relating to 'The Tempest'
-
429 - Correspondence between Osprey Films Limited and Boyd's Co. relating to 'Scum' and 'Intimate Reflections'
-
430 - Schedules, cast list, unit list and weekly logs for 'Twenty-One'
-
434 - Screenplay for 'Greek' by Steven Berkoff
-
435 - Original screenplay for 'The Doctor' by Tom Conti
-
436 - Film script for 'The Goodnight Boys' by Andrew Zneimer
-
437 - Third draft screenplay for 'It's All in the Stars'
-
438 - Screenplay for 'Federico' by Franc Roddam and David Miller
-
439 - Screenplay for the musical play 'Dreams' by Ian Drosdova
-
440 - Screenplay for 'The Option' by Dan Morgan
-
441 - Rehearsal script for 'The Bill' by Barry Appleton
-
442 - Screenplay for 'Addiction' by Susan Hagan
-
443 - Script for 'Personal Best'
-
444 - Screenplay and synopsis for 'Sisters'
-
445 - First draft script outline for 'Baggage' by Peter Carlton
-
446 - Screenplay for 'Deleted' by Michael Baker
-
447 - Screenplay for 'Cringen Clout presents Fur-Line-Tales'
-
448 - Script treatment for 'The Coady'
-
449 - Screenplay for 'Internal Damage' by Paul Dann
-
450 - Screenplay for 'The Dividing Line' by Anthony Burgess
-
451 - Screenplay for 'The Journey'
-
452 - Script treatment for 'The Richest Corpse in Show Business'
-
453 - Screenplay for 'Les Veufs (The Widowers)'
-
454 - Screenplay for 'Chasing the Bird'
-
455 - Screenplay for 'Dinner Date'
-
456 - Screenplay for 'Jack in the Green' by Stephen Burns
-
457 - Screenplay for 'Nonce' (working title)
-
458 - Script treatment for 'Scarlet Lips'
-
459 - Script treatment for 'Stranger on the Earth'
-
460 - Script treatment for 'Persuasion'
-
461 - Screenplay for 'Judgment Day' by Michael K Stark
-
462 - Screenplay for 'Cold Heaven'
-
463 - Screenplay for 'In the Eye of the Beholder'
-
464 - Script treatment for 'The Talent Scout' by Romain Gary
-
465 - Screenplay for 'Civil Boundaries' (a short film)
-
466 - Script treatment for 'Bagmen' by Barry Appleton
-
467 - Script treatment for 'Up the City Road'
-
468 - Script treatment for 'First Light'
-
469 - Production documents for 'Twenty-One'
-
470 - Production and technical documents for 'The Beast'
-
471 - Script drafts for 'Neutron'
-
472 - Script drafts for 'Neutron'
-
473 - Publicity material for 'Sweet William'
-
474 - Publicity material for 'Aria'
-
475 - Publicity material for 'Captive' (aka 'Heroine')
-
476 - Film festival programmes for 'Aria'
-
477 - Boyd's Co. publicity material
-
478 - Full score for 'War Requiem'
-
479 - Screenplay for 'The Secret Life of Walter Mitty'
-
480 - Screenplay for 'The Avengers'
-
481 - Screenplay for 'Consenting Adults'
-
482 - Screenplay for 'The Remains of the Day' by Harold Pinter
-
483 - Screenplay for 'The Secret Garden'
-
484 - Screenplay for 'Miss Mary Pask'
-
485 - Screenplay for 'Goldeneye' by Reg Gadney
-
486 - Screenplay for 'Kerfol'
-
487 - Screenplay for 'A Sunday Beer'
-
488 - Screenplay for 'Kray'
-
489 - Screenplay for 'Captive' (aka 'Heroine')
-
490 - Outline for a new film by Derek Jarman Sod 'Em (Edward II)
-
491 - Screenplay for 'The Beast: the Legend of Aleister Crowley'
-
492 - Production notes for 'Goldeneye'
-
493 - Script for 'Goldeneye'
-
494 - Untitled script treatment for a project about Gregory Gatson
-
495 - Script drafts for 'The Ten Pound Fare'
-
496 - Production correspondence for 'Scrubbers'
-
497 - Files on 'Scrubbers'
-
498 - Script drafts for 'Scrubbers'
-
499 - Script drafts for 'Monty the Mole'
-
500 - Script notes for 'Monty the Mole'
-
501 - Script treatment for 'The Four Seasons' by Don Boyd
-
502 - Draft screenplay for 'Rain Forest'
-
503 - Screenplay for 'Mr Pooldoctor'
-
504 - Draft screenplay for 'Twenty-One'
-
505 - Revised first draft screenplay for 'A Sunday Beer'
-
506 - Second draft screenplay for 'A Sunday Beer'
-
507 - Screenplay for 'Ada: A Family Chronicle'
-
508 - Screenplay drafts for 'Kleptomania'
-
509 - Screenplay draft for 'Kleptomania' screenplay drafts, revisions, and notes
-
510 - Production documents for 'Kleptomania'
-
511 - Correspondence for 'Kleptomania'
-
512 - Production and publicity documents for 'Vicars'
-
513 - Script for documentary film 'A Natural Miracle: the new medical paradigm for Curing Cancer now' by Dr Carmen Wheatley
-
514 - Script treatment and notes for 'Clare and Me'
-
515 - Correspondence, notes and script treatment drafts for an adaptation of 'La Chute' by Albert Camus
-
516 - Miscellaneous correspondence regarding low-budget film production
-
517 - Payment invoices, tax demand, and foreign video sales invoices relating to 'Twenty-One- and 'Kleptomania'
-
518 - Don Boyd's notebook containing directions for the 'Ruby Wax Show' at Henley, Goodwood
-
519 - Article about Breyten Breytenbach
-
520 - First draft book proposal for 'The Dictator Game'
-
521 - Don Boyd's pocket diaries, notebook and expenses book
-
522 - Various print material for the presentation of 'Aria' at the Cannes Film Festival
-
523 - Various French print material for the presentation of 'Aria' at the Cannes Film Festival
-
524 - Script drafts for 'Sweet William' by Beryl Bainbridge
-
525 - Revised screenplay for 'The Barrier'
-
526 - Screenplay for 'Riot Act'
-
527 - Screenplay for 'Affair: the true story of Stephen Ward and Profumo-Keeler-Ivanov Scandal'
-
528 - Script for 'B Movie: Little England, A Time of Hope' by Derek Jarman and Julian Sands
-
529 - Script treatment for 'The Golden Heart of Doctor Dream: An Original Story' by Keith Williams
-
530 - Screenplay for 'Glad' by Bill Bryden
-
531 - Export script for 'Scum'
-
532 - Book manuscript for 'Raymond Chandler in Hollywood' by Al Clark
-
533 - Screenplay for 'Josh Lawton' by Melvyn Bragg
-
534 - Screenplay for 'Scrubbers'
-
535 - Script treatment for 'The Ghost Runner - the Story of John Tarrant'
-
536 - Osprey-Boyd Reports: Foreign and Domestic Film Sales
-
537 - Foreign Film Sales Documents for 'Hussy'
-
538 - Foreign Film Sales Documents for 'The Tempest'
-
539 - Foreign Film Sales Documents for 'Blue Suede Shoes'
-
540 - Foreign Film Sales Documents for 'Scum'
-
542 - Script drafts and synopsis for 'Manon'
-
543 - Miscellaneous documents on foreign film sales and stock lists
-
544 - Miscellaneous screenplay drafts
-
545 - Miscellaneous screenplay drafts
-
546 - Don Boyd's synopses for 'A Green and Pleasant Land'
-
547 - Press publicity for 'The Babe Business'
-
548 - Don Boyd's biographies, CV, and filmography
-
549 - Production documents for 'Just a Little Rain' by Victoria Clark and Patrick Bishop
-
550 - Production documents for 'Ruby's Health Quest'
-
551 - Production materials for 'Ruby Does the Season'
-
552 - Production materials for 'Ruby Does the Season'
-
553 - Pre-production materials for 'Last Lovers'
-
554 - Reviews for various Don Boyd films
-
555 - Notes, research and interview plans for 'Hello, We Lied'
-
556 - Technical documents for 'The Full Wax'
-
557 - Correspondence and research notes for 'Hello, We Lied'
-
558 - General correspondence
-
559 - General correspondence
-
560 - General correspondence
-
561 - General correspondence
-
562 - Script treatments for 'Telethon' and 'Frere Jacques' by Stephen Lowenstein
-
563 - Script treatments for 'A Green and Pleasant Land' 'The Kingdom' and 'The King's Secret'
-
564 - Miscellaneous script treatment submissions
-
565 - Miscellaneous television documentary documents
-
575 - Inland Revenue and tax returns [for Kendon Films]
-
576 - Kendon Films cash book payments and paid invoices
-
577 - Wallace Publicity Ltd paid invoices
-
578 - Boyd's Co. pink vouchers
-
579 - Kendon Films audit file
-
580 - Copies of all outgoing correspondence [relating to 'War Requiem' and 'The last of England']
-
581 - Financial documents for 'An Unsuitable Job for A Woman'
-
583 - Crewing documents for 'An Unsuitable Job for A Woman'
-
584 - Financial documents for 'An Unsuitable Job for A Woman'
-
586 - General correspondence for 'Captive' (aka 'Heroine')
-
587 - General correspondence for 'Captive' (aka 'Heroine')
-
588 - Script drafts for 'Captive' (aka 'Heroine')
-
589 - Crew documents for 'Captive' (aka 'Heroine')
-
590 - French correspondence for 'Captive' (aka 'Heroine')
-
591 - Insurance documents for 'Captive' (aka 'Heroine')
-
592 - Music correspondence for 'Captive' (aka 'Heroine')
-
593 - Correspondence for 'Aria'
-
594 - Correspondence for 'Aria'
-
595 - Correspondence for 'Aria'
-
596 - Correspondence for 'Aria'
-
597 - Budget documents for 'Aria'
-
598 - Publicity material for 'Aria'
-
599 - Publicity material for 'Aria'
-
600 - Insurance documents for 'Aria'
-
601 - Music documents for 'Aria'
-
602 - Photographic documents for 'Aria'
-
603 - Boyd's Co. advertisments
-
604 - Press articles
-
605 - Boyd's Co. publicity correspondence
-
606 - Boyd's Co. spare press cuttings
-
607 - Correspondence and publicity material for Boyd's Co.
-
608 - Boyd's Co. press agents representation requests
-
609 - File on film storage
-
610 - File on Don Boyd's account with the Savoy Hotel, London
-
611 - US studios' personnel lists for 'Who's Who at the Majors'
-
612 - Correspondence with Selwyn Davidson
-
613 - Boyd's received telexes
-
614 - Correspondence regarding Berwick St. Recording Studios
-
615 - Artiste's salary vouchers and tax returns for 'Coming Out of the Ice'
-
616 - Financial documents for Limited Partnerships
-
617 - File on Kendon Films and US business
-
618 - Financial advice from Rossminster Ltd.
-
619 - US financial documents paid by London office
-
620 - Financial documents for 'An Unsuitable Job for a Woman'
-
621 - Financial documents for Boyd's Co. Film Productions Ltd.
-
622 - Kendon Films bank statements
-
625 - Boyd's Co. bank reconciliations
-
626 - Correspondence for 'Honky Tonk Freeway'
-
627 - Contracts for 'Honky Tonk Freeway'
-
628 - Pre-production materials for 'Early Warning'
-
629 - Financial documents for 'Honky Tonk Freeway'
-
630 - Budget documents for 'Honky Tonk Freeway'
-
631 - Script proposals for 'Holiday Island'
-
632 - Publicity for 'Honky Tonk Freeway'
-
633 - EMI production file for 'Honky Tonk Freeway'
-
635 - Post-release correspondence for 'Honky Tonk Freeway'
-
636 - Production agreements for 'Honky Tonk Freeway'
-
637 - Screenplay agreements for 'Holiday Island'
-
638 - Publicity correspondence for 'Honky Tonk Freeway'
-
639 - Miscellaneous correspondence for 'Honky Tonk Freeway'
-
640 - Kendon Films statements A-C
-
641 - Kendon Films statements D-J
-
642 - Kendon Films statements R
-
643 - Kendon Films statements S-Z
-
647 - Boyd's Co. account reconciliations and analysis
-
648 - Boyd's Co. and Berwick St. Films cash book vouchers for 'Scum'
-
649 - Invoices for 'Sweet William'
-
650 - Invoices for 'Sweet William'
-
651 - Invoices for 'Sweet William'
-
652 - Payroll advices for 'Sweet William'
-
653 - Paid invoices for 'Sweet William'
-
654 - Kendon Films paid invoices
-
655 - Kendon Films unpaid invoices
-
657 - Kendon Films paid invoices
-
658 - Kendon Films paid invoices
-
659 - Invoices for 'An Unsuitable Job for a Woman'
-
660 - Invoices for 'An Unsuitable Job for a Woman'
-
661 - Financial documents for 'An Unsuitable Job for a Woman'
-
662 - Artiste contracts for 'An Unsuitable Job for a Woman'
-
663 - Financial documents for 'An Unsuitable Job for a Woman'
-
665 - Berwick St. Films correspondence
-
666 - Financial documents for 'The Tempest'
-
667 - Financial documents for Number Eight Films Ltd.
-
668 - Invoices for 'An Unsuitable Job for a Woman'
-
669 - Invoices for Boyd's Co.
-
670 - Invoices for Boyd's Co.
-
671 - Financial documents for 'Hussy'
-
672 - Invoices for Kendon Films
-
673 - Purchase and sales day books
-
674 - Purchase and sales day books
-
675 - Nominal ledger for Kendon Films Ltd.
-
676 - Purchase ledger for Kendon Films Ltd.
-
677 - Nominal ledger for Number 8 films Ltd.
-
678 - Financial documents for 'Punk Can Take It'
-
679 - Contracts for 'The Tempest'
-
680 - Invoices for Kendon Films Ltd.
-
681 - Invoices for 'The Tempest'
-
682 - Audit file for Kendon Films Ltd.
-
683 - Number 8 Films sales day book
-
684 - Unpaid invoices for Wallace Publicity
-
685 - Audit file for Berwick St. Recording Studios
-
686 - Bank statements
-
687 - Crowd artistes tax cards
-
690 - Company ledger
-
691 - Financial documents for 'Sweet William'
-
692 - Financial documents for Berwick St. Films 'A'
-
693 - Financial documents for 'Scum'
-
695 - K Binder containing alphabetised accounts
-
696 - Unpaid invoices for 'Sweet William'
-
697 - Financial documents for 'Sweet William'
-
698 - Bank statments for 'Sweet William'
-
699 - Financial documents for 'Blue Suede Shoes'
-
700 - Financial documents for 'Spitoon'
-
701 - Receipts for 'The Tempest'
-
702 - Financial documents for 'The Tempest'
-
703 - Correspondence for 'Scum'
-
705 - Screenplay for 'Gossip'
-
706 - Pre-production documents for 'Intimate Reflections'
-
707 - Legal documents for 'Intimate Reflections'
-
708 - Publicity for 'Intimate Reflections'
-
709 - Insurance documents for 'Intimate Reflections'
-
710 - Boyd file for 'Intimate Reflections'
-
711 - Financial documents for 'Intimate Reflections'
-
712 - Schedule details for the British Film Fund Agency
-
713 - Financial documents for 'Aria'
-
714 - Financial documents 'Aria'
-
716 - Purchase book for 'Aria'
-
717 - Purchase book for 'Aria'
-
718 - Financial documents for 'Aria'
-
719 - Pre-production for 'Holiday Island'
-
720 - Script treatment for 'The Golden Heart of Doctor Dream'
-
721 - Screenplay and treatment for 'Epic'
-
722 - Script treatment for 'Actors'
-
723 - Correspondence with Sir Rupert Hart-Davis
-
724 - Pre-production documents for 'Travelling On'
-
725 - Production documents for 'Spitoon'
-
726 - Screenplay for 'Carnival War'
-
727 - Correspondence for 'Night People'
-
728 - Script treatment for 'Raymond Chandler in Hollywood'
-
729 - Script proposals for 'Fagin' and 'Safekeeping'
-
730 - UK subs for 'Punk Can Take It'
-
731 - Invoices and accounts for Boyd's Co. and Berwick St. Films
-
732 - Correspondence for 'Anti-Clock'
-
733 - Miscellaneous memos to Don Boyd
-
734 - Legal documents for 'War Requiem'
-
735 - Foreign film sales agreements
-
736 - Correspondence for 'Vivaldi's Four Seasons'
-
737 - File on the London School of Film Technique
-
738 - Production documents for 'Captive' (aka 'Heroine')
-
739 - Pre-production documents for 'Aria'
-
740 - Distribution documents for 'The Great Rock 'n' Roll Swindle'
-
741 - Don Boyd's notebooks [relating to 'The Foreigner']
-
742 - Travel schedules for Don Boyd
-
743 - Photographs from 'Gossip'
-
744 - Slides from 'Sweet William'
-
745 - Slides from 'Hussy'
-
746 - Interviews for 'Hello, We Lied'
-
747 - Interviews for 'Hello, We Lied'
-
748 - Don Boyd's lecture transcripts and interviews
-
750 - Production documents for 'Spitoon'
-
751 - Production documents for 'The Tempest'
-
757 - Don Boyd's financial documents
-
758 - Don Boyd's early script notes
-
759 - Continuity sheets for 'Gossip'
-
760 - Production documents for 'Gossip'
-
761 - Continuity reports for 'Gossip'
-
762 - Press for 'Gossip'
-
763 - Prop return notes for 'Gossip'
-
764 - Screenplay for 'Gossip'
-
765 - Screenplay for 'Gossip'
-
766 - Screenplay for 'Gossip'
-
767 - Incomplete screenplay for 'Gossip'
-
768 - Production documents for 'Gossip'
-
769 - Continuity sheets for 'The Tempest'
-
770 - Casting documents for 'The Tempest'
-
771 - Equipment documents for 'The Tempest'
-
772 - Financial documents for 'The Tempest'
-
773 - Technical documents for 'Scum'
-
774 - Correspondence for 'Scum'
-
775 - Correspondence for 'Blue Suede Shoes'
-
776 - Crew documents for 'Blue Suede Shoes'
-
777 - Production documents for 'Hussy'
-
778 - Casting documents for 'Hussy'
-
779 - Casting documents for 'Hussy'
-
780 - Casting documents for 'Hussy'
-
781 - Progress reports for 'Hussy'
-
782 - Technical documents for 'Hussy'
-
783 - Location documents for 'East of Elephant Rock'
-
784 - Correspondence for 'East of Elephant Rock'
-
785 - Unit lists for 'East of Elephant Rock'
-
786 - Editing notes for 'East of Elephant Rock'
-
787 - Correspondence for 'East of Elephant Rock'
-
788 - Thank-you letter for 'East of Elephant Rock'
-
789 - Technical documents for 'East of Elephant Rock'
-
790 - Crew documents for 'East of Elephant Rock'
-
791 - Publicity for 'East of Elephant Rock'
-
792 - Contracts for 'East of Elephant Rock'
-
793 - Music documents for 'East of Elephant Rock'
-
794 - Correspondence for 'East of Elephant Rock'
-
795 - Technical documents for 'East of Elephant Rock'
-
796 - Equipment documentation for 'East of Elephant Rock'
-
797 - Technical documents for 'East of Elephant Rock'
-
799 - Casting documents for 'East of Elephant Rock'
-
800 - Cast list for 'East of Elephant Rock'
-
801 - Art department notes for 'East of Elephant Rock'
-
802 - Freight documentation for 'East of Elephant Rock'
-
803 - Financial documents for 'East of Elephant Rock'
-
804 - Shooting documents for 'East of Elephant Rock'
-
805 - Correspondence with Bob Godfrey (animator)
-
806 - Correspondence for 'Evita'
-
807 - Correspondence with Fred Hift Associates
-
808 - Barry Sheen project
-
809 - Technical documents on distribution
-
810 - Possible investment documents [relating to St George's Theatre, London]
-
811 - File on Inter-Action Productions
-
812 - File on Molinaire Audio and Video Communication Facilities
-
813 - Miscellaneous correspondence
-
814 - Management file on John Maxwell
-
815 - Crew documents for 'An Unsuitable Job for a Woman'
-
816 - Unions' documentation for 'An Unsuitable Job for a Woman'
-
817 - Insurance documents for 'An Unsuitable Job for a Woman'
-
818 - Technical documents for 'An Unsuitable Job for a Woman'
-
819 - Location documentations for 'An Unsuitable Job for a Woman'
-
820 - Script notes for 'An Unsuitable Job for a Woman'
-
821 - Publicity for 'An Unsuitable Job for a Woman'
-
822 - Correspondence for 'An Unsuitable Job for a Woman'
-
823 - Contracts for 'An Unsuitable Job for a Woman'
-
824 - Technical documents for 'An Unsuitable Job for a Woman'
-
825 - Dubbing chart reels for 'An Unsuitable Job for a Woman'
-
826 - Correspondence for 'An Unsuitable Job for a Woman'
-
827 - Production documents for 'An Unsuitable Job for a Woman'
-
828 - Sound test reports for 'An Unsuitable Job for a Woman'
-
829 - Technical documents for 'An Unsuitable Job for a Woman'
-
830 - Copy orders for 'An Unsuitable Job for a Woman'
-
831 - Unit lists for 'An Unsuitable Job for a Woman'
-
832 - Artistes' call sheets for 'An Unsuitable Job for a Woman'
-
833 - Daily continuity reports for 'An Unsuitable Job for a Woman'
-
834 - Casting documents for 'An Unsuitable Job for a Woman'
-
835 - Master call sheets for 'An Unsuitable Job for a Woman'
-
836 - Daily continuity reports for 'An Unsuitable Job for a Woman'
-
837 - Daily continuity reports for 'An Unsuitable Job for a Woman'
-
838 - Sound sheets for 'An Unsuitable Job for a Woman'
-
839 - Production documents for 'An Unsuitable Job for a Woman'
-
840 - Correspondence with Dennis Davidson Associates
-
841 - Financial documents for Kendon Films
-
842 - Tax forms for Wallace Publicity and Kendon Films
-
843 - Financial documents for Wallace Publicity and Boyd's Co.
-
844 - Tax forms for Wallace Publicity and Boyd's Co.
-
845 - Forms 'C' for registration with the Department of Trade as British Films
-
847 - Financial documents for 'Scum'
-
848 - Financial documents for 'Hussy'
-
849 - Financial documents for Arthur Andersen & Co.
-
850 - VAT documents on films and film partnerships
-
851 - Audit file for 'Blue Suede Shoes'
-
852 - Financial documents for the Cannes Film Festival
-
853 - Overseas expense claims forms
-
854 - Correspondence with Kendon Films and Richard Weale
-
856 - Miscellaneous financial documents
-
857 - Programme material for the 'Music in Film' seminars
-
858 - Auxiliary services files
-
859 - Travel services files
-
860 - Auxiliary services file
-
861 - Boyd's Co. staff file
-
862 - Boyd's Co. insurance documents
-
863 - J C Williamson film distributors' correspondence
-
864 - File on Don Boyd's nightclub memberships
-
865 - Script treatment for 'A Series of Fairy Tales'
-
866 - Set of script treatments and plot synopses
-
867 - Screenwriting agreements for 'Manon Lescaut'
-
868 - Various script treatments and synopses
-
869 - Boyd's Co.'s legal dispute
-
870 - Don Boyd profile
-
871 - Screenplay for 'The Lair of the White Worm'
-
872 - Screenplay for 'Addiction'
-
873 - Screenplay for 'Klondike'
-
874 - Manuscript for 'Shrines and Clinics'
-
875 - Correspondence for 'Captive' (aka 'Heroine') and 'Aria'
-
876 - Boyd's Co. correspondence
-
877 - Legal documents for 'Sweet William'
-
878 - Technical documents for 'Sweet William'
-
879 - Continuity reports for 'Sweet William'
-
880 - Publicity for 'Sweet William'
-
881 - Technical documents for 'Sweet William'
-
882 - Script amendments for 'Sweet William'
-
883 - Publicity for 'Sweet William'
-
884 - Financial documents for 'Sweet William'
-
885 - Actor file for 'Sweet William'
-
886 - Screening schedules for 'Sweet William'
-
887 - Correspondence for 'Sweet William'
-
888 - Correspondence for 'Sweet William'
-
889 - Technical documents for 'East of Elephant Rock'
-
890 - Travel documents for 'East of Elephant Rock'
-
891 - Sound transfer reports for 'East of Elephant Rock'
-
892 - Shooting schedules for 'East of Elephant Rock'
-
893 - Publicity for 'East of Elephant Rock'
-
894 - Publicity for 'East of Elephant Rock'
-
895 - Correspondence for 'East of Elephant Rock'
-
896 - Unit lists for 'East of Elephant Rock'
-
897 - Production documents for 'East of Elephant Rock'
-
898 - Correspondence for 'East of Elephant Rock'
-
899 - Production documents for 'East of Elephant Rock'
-
900 - Script for 'East of Elephant Rock'
-
901 - Casting documents for 'Sweet William'
-
902 - Accommodation documents for 'Sweet William'
-
903 - Call sheets for 'Sweet William'
-
904 - Financial documents for 'Sweet William'
-
905 - Documents for 'The Priests of Power' and 'The House on Avenue Road'
-
906 - Correspondence for 'Scum'
-
907 - Financial documents for Osprey Boyd Films Ltd.
-
908 - Financial documents for 'An Unuitable Job for a Woman'
-
909 - Production documents for 'An Unuitable Job for a Woman'
-
910 - Production documents for 'An Unuitable Job for a Woman'
-
911 - Production notes for 'An Unuitable Job for a Woman'
-
912 - Outgoing correspondence for Boyd's Co.
-
913 - Outgoing correspondence for Boyd's Co.
-
914 - Financial documents for 'An Unsuitable Job for a Woman'
-
915 - Files on the Aldeburgh Festival and Snape Maltings Foundation
-
916 - Documents for Cannes Film Festival
-
917 - Documents for Edinburgh International Festival
-
918 - Documents on various film festivals
-
919 - London Film Festival documents for 'East of Elephant Rock'
-
920 - File on Conchord Management Ltd. (orchestral music)
-
921 - Correspondence with the English Music Theatre Company
-
922 - File on Conservative Party coverage
-
923 - Documents on The Other Cinema and Tyneside Cinema
-
924 - Correspondence with the Scala Cinema and the Electric Cinema
-
925 - Correspondence with the Electronic Picture House production company
-
926 - Statutory documents for Kendon Films
-
927 - Correspondence for Wallace Publicity
-
928 - Financial documents for Berwick St. Recording Studios
-
929 - Correspondence for Berwick St. Recording Studios
-
930 - Statutory documents for Wallace Publicity
-
931 - Financial documents for Wallace Publicity
-
932 - Correspondence for the Kendon company group
-
933 - Financial documents for Kendon Films
-
934 - Company assessments for Boyd's Co.
-
935 - Statutory documents for Minbourne Ltd.
-
936 - Financial documents for Berwick St. Recording Studios
-
937 - Preproduction documents for 'Red Saturday'
-
938 - Script notes for 'Woman at Risk'
-
939 - Crew and staff letters of application
-
940 - Cast applications for 'Travellin' On'
-
941 - Corinne Cartier's miscellaneous file [relating to 'An unsuitable job for a woman']
-
942 - Publicity for Boyd's Co. and Kendon films
-
943 - Documents for 'Spittoon'
-
944 - Various documents for location scouting
-
945 - Correspondence with Shelly Bancroft
-
946 - Correspondence with Tim Corrie (writer)
-
947 - Advertisements and catalogues for film-making facilities, prop hire, special effects etc
-
948 - Correspondence for script and screenplay proposals
-
949 - Employment applications to Boyd's Co. and Kendon Films
-
950 - Employment applications to Boyd's Co. and Kendon Films
-
951 - Employment applications to Boyd's Co. and Kendon Films
-
952 - Letters of application for employment at Boyd's Co. and Kendon Films
-
953 - Letters of application for employment at Boyd's Co. and Kendon Films
-
954 - Preproduction documents for 'In the Sahara with Crewe'
-
955 - Correspondence with Peter Lake (journalist)
-
956 - Preproduction documents for 'Isabelle Eberhardt'
-
957 - Correspondence for 'Isabelle Eberhardt'
-
958 - Correspondence for 'Isabelle Eberhardt'
-
959 - French language screenplay for 'Isabelle Eberhardt'
-
960 - Union documents and correspondence
-
961 - Union documents and correspondence
-
962 - Union documents and correspondence
-
963 - Union documents and correspondence
-
964 - Union documents and correspondence
-
965 - Union documents and correspondence
-
966 - BAFTA correspondence, film lists, and programmes
-
967 - AIP correspondence
-
968 - Correspondence with the Directors' Guild of Great Britain
-
969 - Annual reports for the British Film and Television Producers Association Ltd.
-
970 - General correspondence for 'Aria'
-
971 - Correspondence for 'Aria correspondence'
-
972 - Correspondence for 'Aria'
-
973 - Correspondence for 'Aria' correspondence: Bruce Beresford
-
974 - Correspondence for 'Aria'
-
975 - Correspondence for 'Aria'
-
976 - Correspondence for 'Aria'
-
977 - Correspondence for 'Aria'
-
978 - Correspondence for 'Aria'
-
979 - Correspondence for 'Aria'
-
980 - Correspondence for 'Aria'
-
981 - General correspondence for 'Aria'
-
982 - Correspondence for 'Aria'
-
983 - Publicity for 'Aria'
-
984 - Correspondence and contracts for 'Aria'
-
985 - Directors' file for 'Aria'
-
986 - Script notes for 'Aria'
-
987 - Pre-production for 'Aria'
-
988 - Music documents for 'Aria'
-
989 - Pre-production for 'The Last of England'
-
990 - Technical documents for 'The Last of England'
-
991 - Publicity for 'The Last of England'
-
992 - Correspondence for 'The Last of England'
-
993 - Photographs for 'The Last of England'
-
994 - Legal documents for 'The Last of England'
-
995 - Legal documents for 'The Last of England'
-
996 - Financial documents for 'An Unsuitable Job for a Woman'
-
997 - Financial documents
-
998 - Financial documents
-
999 - Statements for Kendon Films
-
1000 - Statements for Kendon Films
-
1001 - Script reports
-
1002 - Pre-production documents
-
1003 - Correspondence with Brecher and Co solicitors
-
1004 - Harpers and Queen video magazine
-
1005 - Miscellaneous correspondence
-
1006 - Miscellaneous correspondence
-
1007 - Confidential correspondence
-
1008 - Personal correspondence
-
1009 - Correspondence with the British Film Institute
-
1010 - Correspondence for British Film Year
-
1011 - Travel memos
-
1012 - Correspondence with American Trade Associations
-
1013 - Correspondence with theatre companies
-
1014 - Correspondence with foreign companies
-
1015 - Business correspondence
-
1016 - Equipment catalogues
-
1017 - Administration documents
-
1018 - Correspondence with Court Film Society
-
1019 - Business correspondence
-
1020 - Production correspondence
-
1021 - Pre-production documents for 'Dream of a Ridiculous Man'
-
1022 - Production documents for 'Mr Sunlight'
-
1023 - Pre-production documents for 'Mothers'
-
1024 - Screenwriter's agreement for 'Nanny'
-
1025 - Pre-production documents
-
1026 - Script treatment 'Going Down in the Eighties'
-
1028 - Miscellaneous correspondence
-
1029 - Boyd's Co. account documents, bank balances and associated correspondence
-
1030 - Financial correspondence for Wallace Publicity
-
1031 - Correspondence and financial documents
-
1032 - Company legal documents
-
1033 - Partnership film agreements with Rossminster Ltd
-
1034 - Correspondence with Private Company Development Ltd. Consultants
-
1035 - Legal correspondence
-
1036 - Miscellaneous solicitors' correspondence
-
1037 - Financial documents for 'Hussy'
-
1038 - Financial documents for 'Hussy'
-
1039 - Financial documents for 'Hussy'
-
1040 - Financial documents for 'Hussy'
-
1041 - Financial documents for 'Hussy'
-
1042 - Financial documents for Berwick St. Films
-
1044 - Pre-production documents for a Jimmy Lindsay promo
-
1045 - Financial documents for 'Blue Suede Shoes'
-
1046 - Pre-production documents for 'Hussy'
-
1047 - Pre-production documents for 'Hussy'
-
1049 - Financial documents for 'Hussy'
-
1050 - Financial documents for 'Hussy'
-
1051 - Production documents for 'Scrubbers'
-
1052 - Financial documents for 'The Four Seasons'
-
1053 - Correspondence for 'Scum'
-
1054 - Financial documents for 'Scrubbers'
-
1055 - Production documents for 'Scrubbers'
-
1057 - Continuity reports for 'East of Elephant Rock'
-
1058 - Financial documents for 'Scum'
-
1059 - Financial documents for 'Hussy'
-
1060 - Financial documents for Berwick St. Films
-
1061 - Audit files for Wallace Publicity
-
1063 - Publicity for 'The Great Rock n' Roll Swindle'
-
1064 - Press cuttings for 'Hussy'
-
1065 - Press cuttings for 'Sweet William'
-
1066 - Press cuttings for 'Sweet William'
-
1067 - Press cuttings for 'The Tempest'
-
1068 - Press cuttings for 'Nighthawks'
-
1069 - Miscellaneous press cuttings
-
1070 - Progress reports for 'Intimate Reflections'
-
1071 - Production documents for 'Intimate Reflections'
-
1072 - Call sheets for 'Sweet William'
-
1073 - Business documents for Minbourne Ltd.
-
1074 - Miscellaneous correspondence
-
1075 - Insurance documents
-
1076 - Outgoing correspondence
-
1077 - Business correspondence for Berwick St. Studios
-
1078 - Financial research documents
-
1079 - Research file on distribution, sales, and film festivals
-
1080 - Foreign sales resumes
-
1081 - File on original 'Look Back in Anger'
-
1082 - Distribution correspondence
-
1083 - Distribution documents for 'East of Elephant Rock'
-
1084 - Marketing documents for 'Hony Tonk Freeway'
-
1085 - Production documents
-
1086 - Production documents for 'The Tempest'
-
1087 - Distribution correspondence for 'An Unsuitable Job for a Woman'
-
1088 - Distribution documents for 'Sweet William'
-
1089 - Publicity documents and notes
-
1090 - Production documents for 'The Princess and the Pea and Other Fairy Stories'
-
1091 - Production documents for 'Captive' (aka 'Heroine')
-
1092 - Financial documents for 'Captive' (aka 'Heroine')
-
1093 - Continuity reports for 'Captive' (aka 'Heroine')
-
1094 - Correspondence for 'Captive' (aka 'Heroine')
-
1095 - Technical documents for 'Captive' (aka 'Heroine')
-
1096 - Production slides for 'Lucia'
-
1097 - Publicity material for 'Lucia'
-
1098 - Screenplay for 'The Kingdom'
-
1099 - File on the London International Flim School
-
1100 - Private folder of financial correspondence
-
1101 - Proposals for 'The Pusuit of Beauty'
-
1102 - Equipment lists for 'Donald and Luba: a Family Movie'
-
1103 - Research documents for the London International Film School
-
1104 - Script notes for 'My Kingdom'
-
1105 - Distribution documents for 'Lucia'
-
1106 - Correspondence for various television projects
-
1107 - Don Boyd's personal correspondence file
-
1108 - Don Boyd's personal correspondence file
-
1109 - Miscellaneous script treatments
-
1110 - Legal documents for Boyd's Co.
-
1111 - Production documents for 'Look Back in Anger'
-
1112 - Various casting submissions
-
1113 - Script treatment for 'The Bomb-Site'
-
1114 - Screenplays for 'Look Back in Anger'
-
1115 - Pre-production documents for 'Young Marriage'
-
1116 - Correspondence with Roy Tucker
-
1117 - Business correspondence
-
1118 - Correspondence with Les Productions Belles Rives
-
1119 - Correspondence for 'Captive' (aka 'Heroine')
-
1120 - Correspondence with Virgin Films Ltd.
-
1121 - Correspondence for 'Captive' (aka 'Heroine')
-
1122 - Documents for London Multimedia Market
-
1123 - Production documents for 'The Last Chorus'
-
1124 - Script treatment for 'The BFG'
-
1125 - Screenplay for 'Glad: the Wales Project'
-
1126 - Various production documents [relating to 'Cities Numbers Nights']
-
1127 - Screenplay draft for 'Early Warning'
-
1128 - Pre-production documents for 'Early Warning'
-
1129 - Script for 'Felix Holt the Radical'
-
1130 - Script notes for 'Fagin'
-
1131 - Script drafts of 'An Unsuitable Job for a Woman'
-
1132 - Production documents for 'An Unsuitable Job for a Woman'
-
1133 - Pre-production documents for 'Sweet William'
-
1134 - Pre-production documents for 'Sweet William'
-
1135 - Pre-production documents for 'Sweet William'
-
1136 - Legal documents for 'Sweet William'
-
1137 - Correspondence for 'Sweet William'
-
1138 - File on MIFED international documentary film and television market
-
1139 - File on Istanbul International Film Festival
-
1140 - Draft screenplay for 'The Will'
-
1141 - Script drafts for 'War Requiem'
-
1142 - Article on music written for the Directors Guild of Great Britain
-
1143 - File relating to Don Boyd's membership of the Producers' Guild of America
-
1144 - Grant application forms and end of month statistics for Apr
-
1145 - Correspondence for 'Punk Can Take It'
-
1146 - File on a video magazine [for Harpers and Queen]
-
1147 - File on Chris Petit
-
1148 - Legal documents for Berwick St. Recording Studios
-
1149 - Script notes for 'An Unsuitable Job for a Woman'
-
1150 - Rough first draft of 'A Sunday Beer'
-
1151 - Meeting minutes for Boyd's Co. management
-
1152 - Pre-production documents for 'An Unsuitable Job for a Woman'
-
1153 - File on Don Boyd's early career
-
1154 - File on Dempsey and Squires Ltd.
-
1155 - Legal documents against Kendon Films and EMI
-
1156 - Miscellaneous documents for Kendon Films Ltd.
-
1157 - File on Dennis Davidson Associates
-
1158 - Miscellaneous legal documents
-
1159 - Correspondence with Brecher and Co. Solicitors
-
1160 - File on early Boyd's Co.
-
1161 - Post-production documents for 'Honky Tonk Freeway'
-
1162 - Screenplay for 'The Torrents of Spring'
-
1163 - Minutes for Berwick St. Films Ltd.
-
1164 - File on Creative Business
-
1165 - Financial documents for 'Honky Tonk Freeway'
-
1166 - Miscellaneous financial papers
-
1167 - Financial documents for 'Honky Tonk Freeway'
-
1168 - Corporate finance documents
-
1169 - Financial documents for 'East of Elephant Rock'
-
1170 - Financial documents for Hennelsmark Ltd.
-
1171 - Miscellaneous financial documents
-
1172 - Various company documents
-
1173 - Boyd's Co. progress reports
-
1174 - File on 'The Upstart' and 'Curiosity Killed the Cat'
-
1175 - File on Michael Relph's engagement at Kendon Films
-
1176 - Pre-production documents 'Who Saw Him Die?' and 'Mr Moon's Last Case'
-
1177 - Script treatment for 'The Rainbow Upside Down'
-
1178 - Pre-production for 'The Great Rock'n'Roll Swindle'
-
1179 - Financial documents for 'Ballet Hoffman' (aka 'Dancer')
-
1180 - File on Boyd's work on commercials
-
1181 - Screenplay for 'Twist' (aka 'Who Saw Him Die?')
-
1182 - Correspondence with Signal Films Ltd.
-
1183 - Correspondence with Simon Olswang, Brecher and Co. Solicitors
-
1184 - Boyd's Co. personnel correspondence
-
1185 - Rossminster Ltd. acceptances
-
1186 - Pre-production for a film of the Queen's Silver Jubilee sculpture exhibition
-
1187 - Pre-production correspondence for 'Evita'
-
1188 - File on Ron Peck
-
1189 - Draft screenplay for an untitled project
-
1190 - File on Robert Garforth-Bles
-
1191 - File on Graham Benson
-
1192 - Progress reports for various Boyd's Co. projects
-
1193 - Legal documents
-
1194 - Documents for Rossminster Ltd.
-
1195 - Miscellaneous personnel correspondence
-
1196 - Crew contracts for 'Gossip'
-
1197 - Production documents for 'Gossip'
-
1198 - Production documents for 'Gossip'
-
1199 - Legal documents for 'Blue Suede Shoes'
-
1200 - Distribution correspondence for 'Intimate Reflections'
-
1201 - Production documents for 'Nighthawks'
-
1202 - Correspondence for 'St. Jack'
-
1203 - Correspondence for 'Nighthawks'
-
1204 - Production documents for 'International Velvet'
-
1205 - General correspondence
-
1206 - Post-production documents for 'East of Elephant Rock'
-
1207 - Correspondence for 'The Four Seasons'
-
1208 - Correspondence with BFPA Ltd.
-
1209 - Correspondence for 'Who Saw Him Die?' and 'Twist'
-
1210 - Production documents for 'The Four Seasons'
-
1211 - Screenplay for 'Twist'
-
1212 - Production documents for 'The Tempest'
-
1213 - Listings of Michael Relph's engagements
-
1214 - Financial correspondence for Wallace Publicity
-
1215 - Pre-production documents for 'Poetry Anthology'
-
1216 - Production documents for 'The Four Seasons'
-
1217 - Financial documents for 'Intimate Reflections'
-
1218 - Miscellaneous documents for Kendon Films
-
1219 - BFPA correspondence
-
1220 - Production documents for 'Anti-Clock'
-
1221 - Screenplay draft for 'Hyde'
-
1222 - Production documents for 'Travelling On'
-
1223 - Script reports for 'Hyde'
-
1224 - Legal documents for 'An Unsuitable Job for a Woman'
-
1225 - Project development documents
-
1226 - Production documents for 'The Beard'
-
1227 - Pre-production documents for 'Monty the Mole'
-
1228 - Production documents for 'Travelling On'
-
1229 - Distribution documents for 'Nighthawks'
-
1230 - Pre-production documents for 'Night People' and 'The Lock-Up'
-
1231 - Correspondence for 'Neutron'
-
1232 - Production documents for 'Neutron'
-
1233 - Script for 'Neutron'
-
1234 - Production documents for 'Neutron'
-
1235 - Production documents for 'Neutron'
-
1236 - Script notes for 'The House on Avenue Road'
-
1237 - Script notes for 'Carnival War'
-
1238 - Script notes for 'Carnival War'
-
1239 - Pr-production documents for 'Actors'
-
1240 - Correspondence for 'An Unsuitable Job for a Woman'
-
1241 - Casting documents for 'Sweet William'
-
1242 - Artistes' contracts for 'Sweet William'
-
1243 - Financial documents for 'Sweet William'
-
1244 - Insurance documents for 'Sweet William' insurance
-
1245 - Contracts for 'Sweet William'
-
1246 - Letters of engagement for 'Sweet William'
-
1247 - Cast and crew lists for 'Sweet William'
-
1248 - Location contracts for 'Sweet William'
-
1249 - Audit file for 'Sweet William'
-
1250 - Financial documents for 'Sweet William'
-
1251 - Financial documents for 'Sweet William'
-
1252 - Financial documents for 'Sweet William'
-
1253 - Production documents for 'Sweet William'
-
1254 - Financial documents for 'Sweet William'
-
1255 - Legal documents for 'Sweet William'
-
1256 - Production documents for 'Sweet William'
-
1257 - Financial documents for 'Sweet William'
-
1258 - Financial documents for 'Sweet William'
-
1259 - Pre-production documents for 'Federico'
-
1260 - Acquisition documents for The Phoenix Project
-
1262 - Legal correspondence
-
1263 - Legal documents for 'Federico'
-
1264 - Miscellaneous legal documents for Berwick St. Films 'B'
-
1265 - Financial documents for 'Hussy'
-
1266 - Financial documents for Boyd's Co. and associated companies
-
1267 - Financial documents for Berwick St. Films 'B'
-
1268 - Financial documents for Kendon Films
-
1269 - Financial documents for Berwick St. Films
-
1270 - Tax documents relating to Soren Fisher Associates
-
1271 - Bank statements for Berwick St. Films
-
1272 - Administration documents for Astor, Boyd and Hope
-
1273 - Shooting documents for 'Gossip'
-
1274 - Script agreement for 'Profumo'
-
1275 - Michael Relph's correspondence
-
1276 - Exhibition documents for 'East of Elephant Rock'
-
1277 - Storyboards for 'Goldeneye'
-
1278 - Directors' reports for Berwick St. Films
-
1279 - Boyd's financial correspondence
-
1280 - Production company documents
-
1281 - Papers for the sale of 8 Berwick St.
-
1282 - Earnings documents for Kendon Films
-
1283 - Financial documents for Minbourne Ltd. and Kendon Films
-
1284 - Financial documents for Wallace Publicity
-
1285 - Kendon Films correspondence
-
1286 - Financial documents for Boyd's Co.
-
1287 - Financial documents with Pannell Kerr Forster Chartered Accountants
-
1288 - Travel documents for Cannes Film Festival
-
1289 - Accounts' correspondence
-
1290 - Business correspondence
-
1291 - Production notes for 'Look Back in Anger'
-
1292 - Correspondence for Minbourne Group
-
1293 - Various administration documents
-
1294 - Administration agreements
-
1295 - Administration documents for Minbourne Ltd.
-
1296 - Minbourne Ltd. consolidated accounts
-
1297 - Financial documents for Berwick St. Recording Studios
-
1298 - Option agreement on 8 Berwick St.
-
1299 - Administration documents
-
1300 - Administration documents
-
1301 - Legal documents for Minbourne Ltd.
-
1302 - Production company accounts documents
-
1303 - Production company legal documents
-
1304 - Policy documents for AIP
-
1305 - Issues of A I P and Co.
-
1306 - Publicity photographs for 'East of Elephant Rock'
-
1307 - Publicity materials for 'East of Elephant Rock'
-
1308 - Publicity for 'Choose Me'
-
1309 - Credits roll for 'Aria'
-
1310 - Administration documents
-
1311 - Boyd's financial documents
-
1312 - Financial documents for 'An Unsuitable Job for a Woman'
-
1313 - Pre-production documents for 'The Loaf'
-
1314 - Draft screenplay for 'Carnival War'
-
1315 - Statement of affairs for Boyd's Co.
-
1316 - Administration financial documents
-
1317 - Miscellaneous interview transcripts
-
1318 - Personal expense documents
-
1319 - Michael Relph's correspondence
-
1320 - Production documents for 'Gossip'
-
1321 - Correspondence for Berwick St. Films partnerships
-
1322 - Audit file for 'Blue Suede Shoes'
-
1323 - Audit file for 'Sweet William'
-
1324 - Audit file for 'The Tempest'
-
1325 - Financial documents Correspondence
-
1326 - Administration documents
-
1327 - Legal documents for 'Scrubbers'
-
1328 - US distribution documents for Boyd's Co
-
1329 - Correspondence for 'Look Back in Anger'
-
1330 - Investment documents for 'An Unsuitable Job for a Woman'
-
1331 - Financial documents for 'The Lock-Up'
-
1332 - Cast and crew lists for 'An Unsuitable Job for a Woman'
-
1333 - Financial documents for 'An Unsuitable Job for a Woman'
-
1334 - Distribution documents for 'An Unsuitable Job for a Woman'
-
1335 - Legal documents for 'An Unsuitable Job for a Woman'
-
1336 - Legal documents for 'An Unsuitable Job for a Woman'
-
1337 - Credit agreements for 'An Unsuitable Job for a Woman'
-
1338 - Meeting minutes for Kendon Films
-
1339 - Music agreements for 'An Unsuitable Job for a Woman'
-
1340 - Legal documents for 'An Unsuitable Job for a Woman'
-
1341 - Investment lists for 'An Unsuitable Job for a Woman'
-
1342 - Administration documents
-
1343 - Legal documents for 'An Unsuitable Job for a Woman'
-
1344 - Legal correspondence for 'An Unsuitable Job for a Woman'
-
1345 - Contracts for 'An Unsuitable Job for a Woman'
-
1346 - Financial documents for 'An Unsuitable Job for a Woman' and 'Gossip'
-
1347 - Pre-production documents for 'Scrubbers'
-
1348 - Pre-production documents for 'Mr Sunlight'
-
1349 - Notes for 'Hello, We Lied'
-
1350 - Research for 'Hello, We Lied'
-
1351 - Research for 'Hello, We Lied'
-
1352 - Publicity for 'Hello, We Lied'
-
1353 - Script treatment for 'My Kingdom'
-
1354 - Screenplay for 'Lucia'
-
1355 - Production notes for 'The Full Wax'
-
1356 - Pre-production notes for 'Lucia'
-
1357 - Pre-production notes for untitled film
-
1358 - Pre-production documents for 'The Highland Queen'
-
1359 - Production documents for 'Spittoon'
-
1360 - Distribution documents for 'The Great Rock'n'Roll Swindle'
-
1361 - Distribution correspondence for 'The Four Seasons'
-
1362 - Script treatment for 'Hear Me'
-
1363 - Statement of affairs for 'Kendon Films'
-
1364 - Correspondence with Roy Tucker
-
1365 - Correspondence for the sale of 8 Berwick St.
-
1366 - Correspondence for the maintenance of 111a Wardour St.
-
1367 - Pre-production documents for 'Carnival War'
-
1368 - Pre-production documents for 'The Highland Queen'
-
1369 - Financial documents for Kendon Films and Wallace Publicity
-
1370 - Legal correspondence
-
1371 - Corporate tax documents
-
1372 - Synopsis for 'The Lock-Up'
-
1373 - Script treatment for 'Hitch Your Wagon to the Stars'
-
1374 - Script treatment for 'Mute Fury'
-
1375 - Correspondence for 'Josh'
-
1376 - Film revenue correspondence
-
1377 - Building and estate correspondence
-
1378 - Financial information on Berwick St. Films 'D' Ltd.
-
1379 - Financial documents for Berwick St. Films 'A' Ltd.
-
1380 - Financial documents for Berwick St. Films 'B' Ltd.
-
1381 - Financial documents for Berwick St. Films 'C' Ltd.
-
1382 - Financial documents for Berwick St. Films 'F' Ltd.
-
1383 - Financial documents for Kendon Films Ltd.
-
1384 - Financial documents for Number 8 Films
-
1385 - Tax documents
-
1386 - Accounting documents for Kendon Films
-
1387 - Financial documents for Kendon Films
-
1388 - Project development documents
-
1389 - Investment reports for Ballast Investments Ltd.
-
1390 - Distribution reports
-
1391 - Publicity for 'Choose Me'
-
1392 - Financial documents for Kendon Films
-
1393 - Untitled book project
-
1394 - Screenplay for 'Lucia'
-
1395 - Script for 'Lucia: The Bride of Lammermoor'
-
1396 - Production documents for 'Lucia'
-
1397 - File on Lexington Films
-
1398 - Production documents for 'The Girl With Brains in Her Feet'
-
1399 - General correspondence for Lexington Films
-
1400 - Production documents for 'Ruby Wax Meets...'
-
1401 - 'Celebrities Anonymous' newspaper article drafts
-
1402 - Research for 'Project 2001'
-
1403 - Miscellaneous correspondence
-
1404 - Proposals for several television programmes
-
1405 - Distribution for 'The Girl With Brains in Her Feet'
-
1406 - File on the 51st Cannes Film Festival
-
1407 - Pre-production documents for 'Crossmaheart' and 'Cycle of Violence'
-
1408 - Script for 'My Kingdom'
-
1409 - Administrative correspondence
-
1410 - Exhibition documents for 'Lucia'
-
1411 - Post-production documents for 'Lucia'
-
1412 - Production documents for 'Full Frontal in Flip Flops'
-
1413 - Miscellaneous correspondence
-
1414 - Private business correspondence
-
1415 - Business correspondence
-
1416 - Private correspondence
-
1417 - Screenplay for 'My Kingdom'
-
1418 - General correspondence
-
1419 - Correspondence
-
1420 - Private correspondence
-
1421 - Miscellaneous correspondence
-
1422 - Research for 'Donald and Luba: a Family Movie'
-
1423 - Production documents for 'Cycle of Violence' and 'Crossmaheart'
-
1424 - Production documents for 'Lucia'
-
1425 - Technical documents for 'The Girl With Brains in Her Feet
-
1426 - Correspondence for 'Captive' (aka 'Heroine')
-
1427 - Production documents for 'Man, God and Africa'
-
1428 - Research on cinema attendance in Britain
-
1429 - Production documents for 'Captive' (aka 'Heroine')
-
1430 - Michael Relph correspondence
-
1431 - Financial documents
-
1432 - Business cards
-
1433 - Business cards
-
1434 - Pre-production documents for 'Full Frontal in Flip Flops'
-
1435 - Publicity for 'Some Hope'
-
1436 - Press cuttings relating to Boyd's Co. films
-
1437 - Press cuttings for 'Twenty-One'
-
1438 - Documents relating the Premiers Plans European First Film Festival
-
1439 - Boyd's business telephone book
-
1440 - Photographs for 'Captive' (aka 'Heroine')
-
1441 - Draft of investment offer for Boyd-Purdie Productions
-
1442 - Production documents for 'The Magic Shop'
-
1443 - File on Kendon Films' change of name to Boyd's Co.
-
1444 - Proposal for 'The Jazz Department'
-
1445 - Proposal for untitled 'Tibetan Book of the Dead' film
-
1446 - Boyd presentation notes
-
1447 - Papers for Boyd's Co. representation at the Cannes Film Festival
-
1448 - Information document for 'Understanding the Eady Levy'
-
1449 - Show transcripts for Boyd TV appearance
-
1450 - Transcript of an article for The Guardian
-
1451 - Publicity for 'Happily Ever After'
-
1452 - Distribution documents for 'Scum'
-
1453 - Correspondence for future projects
-
1454 - Miscellaneous correspondence
-
1455 - Distribution research for Lexington Films
-
1456 - Pre-production documents for untitled Shakespeare project
-
1457 - Financial documents
-
1458 - Early Boyd career file
-
1459 - Miscellaneous correspondence
-
1460 - Reports on the British film industry
-
1461 - Notebook of Boyd's notes
-
1462 - Correspondence for 'The Undeclared War'
-
1463 - Research for 'Goldeneye'
-
1464 - Cast and schedule lists for 'Goldeneye'
-
1465 - Publicity for 'Goldeneye'
-
1466 - Correspondence for 'Goldeneye'
-
1467 - Shooting drafts and notes for 'Goldeneye'
-
1468 - Production documents for 'Goldeneye'
-
1469 - Post-production documents for 'Goldeneye'
-
1470 - Financial documents for 'Goldeneye'
-
1471 - Correspondence for 'Goldeneye'
-
1472 - Correspondence for 'Goldeneye'
-
1473 - Production documents for 'Goldeneye'
-
1474 - Publicity for 'Twenty-One'
-
1475 - Exhibition documents for 'Twenty-One'
-
1476 - Exhibition file for 'Twenty-One'
-
1477 - Union related documents
-
1478 - Boyd's correspondence
-
1479 - Legal correspondence
-
1480 - Financial reports for Aldeburgh Cinema Ltd.
-
1481 - Financial correspondence
-
1482 - Correspondence with Duncan Lawrie
-
1483 - File on Freud Communications publicity firm
-
1484 - Correspondence with Tim Johnson
-
1485 - Tax documents
-
1486 - File for Anglo-International premises at 21A Kingley Court
-
1487 - Research materials for a documentary about Louis Malle
-
1488 - Script for 'The Italian Lesson'
-
1489 - Casting documents for 'Lido'
-
1490 - Scripts for 'Lido'
-
1491 - Legal dispute with British Airways
-
1492 - File on Boscombe Investment Co. Ltd.
-
1493 - Correspondence with H W Fisher and Co.
-
1494 - File on unpaid bills
-
1495 - Boyd's personal papers and notebooks
-
1496 - Financial documents
-
1497 - Boyd's financial documents
-
1498 - File on Tokyo film festivals
-
1499 - Pre-production documents for 'The Web'
-
1500 - Press cuttings for Said Aburiche's book, 'Cry Palestine'
-
1501 - Technical documents
-
1502 - Proposal for 'Intimate Reflections'
-
1503 - Proposal for 'The Fall (aka 'La Chute')
-
1504 - Pre-production for 'Let Them Call it Jazz'
-
1505 - Publicity for 'Scum'
-
1506 - Screenplay for 'Fiddle City'
-
1507 - File on the William Morris Agency
-
1508 - Distribution correspondence for 'East of Elephant Rock'
-
1509 - Screenplay for 'The Innocent'
-
1510 - Research on budget documents
-
1511 - Correspondence regarding Zoe Heller projects
-
1512 - Financial documents for 'Aria'
-
1513 - Screenplay draft for 'Manon Lescaut'
-
1514 - Correspondence for 'War Requiem' and 'Goldeneye'
-
1515 - Correspondence regarding script submissions
-
1516 - File concerning a film and screenwriting festival
-
1517 - Script reports
-
1518 - Publicity for 'Lido'
-
1519 - Crew documents for 'Lido'
-
1520 - Scene summaries for 'Lido'
-
1521 - Script draft for 'Lido'
-
1522 - Pre-production documents for The Cannes Project (Cote d'Azur)
-
1523 - Three script drafts for 'Cote d'Azur'
-
1524 - Publicity for 'Twenty-One'
-
1525 - Stills and slides from 'Twenty-One'
-
1526 - Photographic portraits of Boyd
-
1527 - Boyd's notebook
-
1529 - Programme for the Royal Film Performance
-
1530 - Boyd press releases
-
1531 - Location documents for 'Goldeneye'
-
1532 - Pre-production documents for 'Lucia'
-
1533 - Pre-production notes for 'A Fight to the Death'
-
1534 - Pre-production documents for 'Man, God and Africa'
-
1535 - Lecture transcript for 'Forward or Fiasco'
-
1536 - Proposed TV projects
-
1537 - File on the RCA Opera Project (aka 'Aria')
-
1538 - Production costs documents
-
1539 - Chart of grosses for London cinemas
-
1540 - Proposal for the British Film Year Education Programme
-
1541 - Boyd's notebook
-
1542 - Boyd's passport
-
1543 - Boyd's notebook
-
1544 - Location photographs
-
1545 - Boyd's diary
-
1546 - Boyd's diary
-
1547 - Boyd's diary
-
1548 - Boyd's diary
-
1549 - Boyd's diary
-
1550 - Boyd's diary
-
1551 - Boyd's diary
-
1552 - Boyd's diary
-
1553 - Boyd's diary
-
1554 - Boyd's diary
-
1555 - Boyd's diary
-
1556 - Boyd's diary
-
1557 - Boyd's diary
-
1558 - Boyd's diary
-
1559 - Boyd's diary
-
1560 - Boyd's diary
-
1561 - Boyd's diary
-
1562 - Boyd's diary
-
1563 - Boyd's diary
-
1564 - Boyd's diary
-
1565 - Boyd's diary
-
1566 - Boyd's diary
-
1567 - Boyd's diary
-
1568 - Boyd's diary
-
1569 - Boyd's diary
-
1570 - Boyd's diary
-
1571 - Boyd's diary
-
1572 - 'An Unsuitable Job for a Woman'
-
1573 - 'The Profession of Violence: The Rise and Fall of the Kray Twins' Vicious Criminal Empire'
-
1574 - 'Circles of Life'
-
1575 - 'Benjamin Britten's War Requiem: the Score'
-
1576 - 'Manon Lescaut: Giacomo Puccini's Opera Vocal Score'
-
1577 - 'Manon: Jules Massenet's opera score'
-
1578 - Photographs for 'Intimate Reflections'
-
1579 - Photographs for 'HonkyTonk Freeway'
-
1580 - Photographs for 'HonkyTonk Freeway'
-
1581 - Production slides for 'Gossip'
-
1582 - Production photography for 'Gossip'
-
1583 - Photography for 'East of Elephant Rock'
-
1584 - Negatives for 'East of Elephant Rock'
-
1585 - Photography for 'Scum'
-
1586 - Photography for 'Sweet William'
-
1587 - Photography for 'Sweet William'
-
1588 - Publicity photographs for 'The Tempest'
-
1589 - Publicity photographs for 'The Princess and the Pea'
-
1590 - Photographs for 'Twenty-One'
-
1591 - Publicity stills for 'Blue Suede Shoes'
-
1592 - Various photographs of Don Boyd
-
1593 - Photographs for 'An Unsuitable Job For a Woman'
-
1594 - Production photographs for 'Captive' (aka 'Heroine')
-
1595 - Production photography for 'Captive' (aka 'Heroine')
-
1596 - Photography for 'Kleptomania'
-
1597 - Photographs for 'Goldeneye'
-
1598 - Photography for 'Aria'
-
1599 - Boyd photography of the Cannes Film Festival
-
1600 - Photographs of the 'Ruby Wax Show'
-
1601 - Boyd production photographs
-
1602 - Photographs for 'The Girl With Brains in Her Feet'
-
1603 - Slides for 'Kleptomania'
-
1604 - Production photographs for 'Gossip'
-
1605 - Set design photographs for 'Gossip'
-
1606 - Release script for 'Intimate Reflections'
-
1607 - Stills from 'East of Elephant Rock'
-
1608 - Actor caricatures for 'East of Elephant Rock'
-
1609 - Production photography for 'Gossip'
-
1610 - Photographs from Cannes Film Festival
-
1611 - Signed Charles Dance portrait
-
1612 - Publicity stills for 'Sweet William'
-
1613 - Production photography for 'Scrubbers'
-
1614 - Production photography for 'Hussy'
-
1615 - Character photography from 'Blue Suede Shoes'
-
1616 - Production photography for 'Blue Suede Shoes'
-
1617 - Set photography for 'Captive' (aka 'Heroine')
-
1618 - French poster for 'Twenty-One'
-
1619 - Wrap portrait from 'War Requiem'
-
1620 - Wrap portrait from 'Aria'
-
1621 - Portrait of Robert Altman
-
1622 - Variety 30th International Film Annual
-
1623 - Screen International
-
1624 - Interviews with Boyd
-
1625 - The Observer Magazine
-
1626 - Screen International
-
1627 - I-D Magazine
-
1628 - Vogue magazine
-
1629 - Premiere magazine
-
1630 - Vanity Fair
-
1631 - Vogue magazine
-
1632 - Mirabella magazine
-
1633 - The Business of Film
-
1634 - GQ Magazine
-
1635 - Blitz Magazine
-
1636 - Screenplay for 'The Blue Hour'
-
1637 - Screenplay for 'Streetbash'
-
1638 - Screenplay for 'Aston the Bastard'
-
1639 - Outlined treatment for 'The Road From Town'
-
1640 - Screenplay for 'The Housewife and the Assassin'
-
1641 - Screenplay for 'Joyce'
-
1642 - Screenplay for 'Flannel Pyjamas'
-
1643 - Script synopsis for 'South'
-
1644 - Screenplay for 'Solla Solew'
-
1645 - Screenplay for 'Mojo'
-
1646 - Shooting script for 'A Further Gesture'
-
1647 - Screenplay for 'Ernest the Third'
-
1648 - Screenplay for 'The Wandering Jew'
-
1649 - Screenplay for 'The Big One' (aka 'Carlin')
-
1650 - Screenplay for 'Just a Little Rain'
-
1651 - Screenplay for 'Playmaker'
-
1652 - Screenplay for 'The Comfort of Strangers'
-
1653 - Screenplay for 'Weekend'
-
1654 - Screenplay for 'Scallys'
-
1655 - Screenplay for 'A Different Kind of Love (Go Now 2)'
-
1656 - Screenplay for 'The Debt Collector'
-
1657 - Screenplay for 'Live From Golgotha'
-
1658 - Screenplay for 'Killing Time'
-
1659 - Screenplay for 'The Beast'
-
1660 - Screenplay for 'Biarritz'
-
1661 - Screenplay for 'The Yellow Handkerchief'
-
1662 - Screenplay for 'Last Stop'
-
1663 - Screenplay for 'War Requiem'
-
1664 - Screenplay for 'In the Name of the Father'
-
1665 - Research for 'The Cad: The Scottish Sausage Scandal'
-
1666 - Screenplay for 'Outlaws'
-
1667 - Screenplay for 'The Gossip Columnist'
-
1668 - Screenplay for 'Manon Lescaut'
-
1669 - Screenplay for 'Manon Lescaut'
-
1670 - Screenplay for 'Gossip'
-
1671 - Screenplays for 'An Unsuitable Job for a Woman'
-
1672 - Financial documents for 'Travelling On'
-
1673 - Screenplay for 'Travelling On'
-
1674 - Production documents for 'Blue Suede Shoes'
-
1675 - File for Number 8 Films
-
1676 - Publicity for 'An Unsuitable Job for a Woman'
-
1677 - Framed poster for 'The Tempest'
-
1678 - Framed poster for 'Captive'
-
1679 - Framed poster for 'Hussy'
-
1680 - Framed poster for 'Scrubbers'
-
1681 - Framed poster for 'Choose Me'
-
1682 - Framed poster for 'Honky Tonk Freeway'
-
1683 - Framed poster for 'Scum'
-
1684 - Framed poster for 'The Great Rock'n'Roll Swindle'
-
1685 - Framed poster for 'An Unsuitable Job for a Woman'
-
1686 - Certificate for 'Anti-Clock'
-
1687 - Certificate for 'Scrubbers'
-
1688 - Certificate for 'East of Elephant Rock'
-
1689 - Certificate for 'The Tempest'
-
1690 - Certificate for 'Intimate Reflections'
-
1691 - Framed poster for 'Intimate Reflections'
-
1692 - Artwork for 'The Golden Heart of Doctor Dream' (aka 'The Rainbow Upside Down')
-
1693 - Production documents for 'Twenty-One'