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BDC 2 - Don Boyd Papers

1694 - Hard Drive containing HiBROW website

1 - Leatherbound document file and minutes of meetings

2 - Accounts for the year ended 31 Dec 1976

3 - Accounts for the year ended 31 Dec 1977

4 - Accounts for the year ended 31 Dec 1977

5 - Accounts for the year ended 31 Dec 1976

6 - Accounts for the year ended 31 Dec 1978

7 - Accounts for the year ended 31 Dec 1975

8 - Accounts for the year ended 31 Dec 1976

9 - Accounts for the year ended 31 Dec 1977

10 - Accounts for the year ended 31 Dec 1977

11 - Memorandum and New Articles of Association of Minbourne Ltd.

12 - Correspondence with the Ufland Agency, California

13 - Variety Club correspondence

14 - Papers relating to Sarah Forbes and 'Hitch your wagon to the stars'

15 - Documents relating to 'The Town That Went Mad'

16 - Documents for 'Scrubbers' and 'Neutron'

17 - Documents relating to the preparations for Channel 4 and independent broadcasting

18 - Documents on distribution of 'The Tempest', 'Scum', 'Blue Suede Shoes' and 'Hussy'

19 - Documents on 'Sweet William' and TV rights

20 - File on Mai Zetterling and 'Scrubbers'

21 - Circulars from The British Film and Television Producers Association and The Independent Programme Producers Association

22 - File on 'Scum'

23 - File on Wallace Publicity relating to marketing

24 - File on Association of Independent Producers

25 - Papers relating to Boyd's BBC appearances on 'Tonight' and 'Take One'

26 - Papers relating to the Protection of Children Act 1978 and the Association of Cinematograph and Television Technicians (BBFC)

27 - Letters from American Arts Association and British American Repertory Company

28 - Papers from the British Film Fund Agency

29 - File relating to the British American Repertory Company (BARC)

30 - File on Association of Cinematograph and Television Technicians (ACTT)

31 - File containing minutes and meeting agendas for the Association of Cinematograph and Television Technicians (ACTT)

32 - File on The British Academy of Film and Television Arts (BAFTA)

33 - British Film Institute correspondence

34 - File on British Film Producers Association Ltd.

35 - Film on British Film Producers Association Ltd.

36 - File on British Film Producers Association Ltd.

37 - File on British Film Producers Association Ltd.

38 - File on British Film Producers Association Ltd.

39 - File on British Film Producers Association Ltd.

40 - File on British Film & Television Producers Association Ltd.

41 - Correspondence on crewing of future projects

44 - File on 'Sweet William'

45 - File of Don Boyd's overseas expenses

46 - File on 'The Beard' (animated short film)

47 - File on 'Scum' promotion and distribution

48 - Mike Larkin's technical invoices and receipts

49 - Blank tax forms

50 - File on 'The Pip Simmons Group' and 'Dream of a Ridiculous Man' recording sessions

52 - Leatherbound accounts journal

53 - Industrial contacts information

54 - File on Berwick Street Films Ltd.

55 - Invoices and permission slips for the production of 'Honkytonk Freeway'

56 - Documents relating to house rental during 'Honkytonk Freeway'

58 - Production documents for 'An Unsuitable Job for a Woman'

59 - Set of casting photographs, CVs and press cuttings( particularly of Anne Louis Lambert)

60 - Invoices and accounts for the production of 'An Unsuitable Job for a Woman'

61 - File for 'The Tempest'

63 - Schedule and financial documents for 'Hussy'

64 - Partnership agreements and budget for 'Scum'

65 - Partnership agreements and budget for 'Blue Suede Shoes'

66 - Casting submissions for 'Gossip'

67 - Notes made in Jamaica for 'Gossip'

68 - Amendments to final script for 'Gossip'

70 - Documents relating to the production of 'Gossip'

71 - Production documents and technical notes for 'Gossip'

72 - Correspondence for 'The Tempest'

73 - Correspondence between David Puttnam and Don Boyd

74 - Notes for 'Hussy' and 'Blue Suede Shoes'

75 - Cuttings relating to 'Hussy' and 'Blue Suede Shoes'

76 - Assorted Don Boyd press cuttings (mostly concerned with 'An Unsuitable Job for a Woman')

77 - File on 'Gossip'

78 - Minutes of meetings for Number 8 Films Ltd. and Halregis Ltd.

79 - Notes on 'Sweet William', theft of camera equipment on 'Honkytonk Freeway' and insurance documents

80 - File on Sam Waterston

81 - Music contracts for 'The Tempest'

82 - Script and notes for 'Gossip'

83 - Miscellaneous script submissions

84 - Production proposal by Skreba Films Ltd. for 'The Return of the Soldier'

85 - File on 'The Tempest'

86 - File on 'Gossip' (relating to script development)

87 - Legal correspondence and pre-production notes on undeveloped projects

88 - File on untitled, unfinished Ian McEwan collaboration

89 - Don Boyd's production correspondence with Julian Melzack

90 - Contracts for the lease of Berwick St. Studios

91 - Production papers for 'Scum' (financial documents and post-production notes)

92 - File on distribution of 'The Great Rock 'n' Roll Swindle'

93 - File on distribution for 'Hussy'

94 - Various correspondence relating to Jeremy Watt

95 - References to 'Blue Suede Shoes ,'Honkytonk Freeway', 'The Four Seasons', Emma Relph, 'Woman at Risk' and 'Anti-Clock'

96 - Various Kendon Films files relating to 'Holiday Island', 'Nighthawks', 'Out of the Blue', 'St. Jack' and 'Sea Dance'

97 - File on 'Scum' distribution and contracts

98 - PAYE and National Insurance file relating to Wallace Publicity Ltd.

99 - Insurance file for 'Scum', 'Hussy' and 'Scrubbers'

100 - Distribution documents for 'Osprey'

101 - Correspondence with EMI Films Ltd. regarding 'Honky Tonk Freeway'

102 - Files and correspondence on the shooting of 'Gossip'

103 - File on 'Hussy' production

104 - Letters concerning the attachment of the Boyd's Co. logo to release prints

105 - Pre-production agreements for 'The Highland Queen'

106 - Cast notes and agreements for 'Gossip'

107 - File (including screenplay treatment) for 'Holiday Island'

108 - File (including screenplay treatment) for 'Monty the Mole' animated cartoon

109 - Correspondence between Don Boyd and David Puttnam

110 - Agent files for various actors

111 - General casting documents

112 - Blank writers' contracts

113 - File for 'Real Class'

114 - Screenplay treatment for 'Real Class' ('La Vraie Class')

115 - Development documents for 'Real Class'

116 - Casting file for 'Real Class'

117 - File on use of Holloway Sanitorium for shooting (possibly for 'Scrubbers')

118 - File on Serafina Clarke and Margaret Ramsey (literary agents)

119 - Insurance, unit list and cast list for 'Scrubbers'

120 - Screenplay drafts and notes for 'Real Class'

121 - Miscellaneous production documents and correspondence for 'East of Elephant Rock', 'The Golden Heart of Doctor Dream' and 'Scum'

122 - Documents (including script treatment) relating to a planned project about Aleister Crowley written by Paul Mayersberg

123 - File on 'Captive' (also known as 'Heroine')

124 - File on 'Woman at Risk'

125 - File of miscellaneous documents for 'Captive' (also known as 'Heroine')

126 - File on Glyndebourne Festival and Astor, Boyd & Hope

127 - Letters of engagement for 'Captive' (also known as 'Heroine')

128 - Miscellaneous production documents for 'Captive' (also known as 'Heroine')

129 - Correspondence with Roger Daltrey about 'The Krays'

130 - Screenplay for 'The Barrie Trilogy'

131 - Screenplay for 'Babylon'

132 - Script for 'Swamp Chase'

133 - Outline for children's feature or six part serial 'The Secret of the Black Loch'

134 - First draft screenplay of 'Mister Sunlight'

135 - Revised first draft screenplay of 'Mister Sunlight'

136 - Screenplay for 'Tick Tock'

137 - Screenplays for 'The Boys in Black' and 'Scum'

138 - Screenplay for 'The Upstart'

139 - Casting file for 'The Krays'

140 - File on 'The Krays' and 'Profession of Violence' (including Bill Bryden's screenplay)

141 - File on 'The Krays' and 'Profession of Violence'

142 - File on 'The Krays' and 'Profession of Violence'

143 - Miscellaneous financial, legal, and tax papers

144 - Production costs for 'Hussy'

145 - Partnership agreements for 'Hussy'

146 - Name change and certificates of Registration for Berwick St. Films and Arealands Ltd.

147 - Accounts file for Kendon Films, year ending 1977

148 - Accounts file for Kendon Films, year ending 1976

149 - File for 'Blue Suede Shoes'

150 - File on 'Sweet William'

151 - File on 'Hussy'

152 - File on 'Hussy' and Matthew Chapman

153 - Papers on miscellaneous uncompleted projects

154 - File on Cannes Film Festival 1978

155 - File on Cannes Film Festival 1980

156 - File on Cannes Film Festival 1977

157 - File on MIP-TV correspondence 1976

158 - File on MIP-TV correspondence 1977

159 - File on MIP-TV correspondence 1979

160 - Personal and business correspondence of James Atherton

161 - File on Eckersley, Hicks & Co. Ltd.

162 - Photographs and CVs relating to general casting

163 - Papers relating to the production of 'Scum'

164 - File relating to 'An Unsuitable Job for a Woman'

165 - File on 'East of Elephant Rock', including sound effects dubbing

166 - Correspondence between James Atherton and R H.Jacobs relating to script treatment for 'The Last Battle'

167 - Financial note on 'The Immortalist'

168 - Financial note on 'The Abdication Speech'

169 - File on 'Saint Jack'

171 - File on 'An American Werewolf in London'

172 - File on labotory work for 'Intimate Reflections'

173 - Miscellaneous accounts files for Kendon Films, Boyd's Co., Wallace Publicity Ltd. and Berwick St. Films Ltd.

174 - File on distribution of 'Hussy' and 'Sweet William'

175 - Correspondence with the Film Production Association of Great Britain

176 - File on 'The Town that Went Mad'

177 - File of insurance and production documents for reprints of 'East of Elephant Rock'

178 - Cannes Film Festival 1978

179 - File on Nairn Enterprises (Bermuda)

180 - File on the National Film Finance Corporation (NFFC)

181 - 'GBCT News' periodicals

182 - Miscellaneous financial, legal and production documents for 'The Tempest'

183 - Contacts and correspondence for 'Sweet William'

184 - File of miscellaneous documents for the British Film Producers Association

185 - File for Number 8 Films Ltd. (including accounts)

186 - Accounts file for Wallace Publicity Ltd.

187 - Financial data for 'Sweet William'

188 - Files relating to the production of 'Hussy'

189 - Files relating to 'An Unsuitable Job For a Woman'

190 - Miscellaneous invoices from 'An Unsuitable Job for a Woman'

191 - Miscellaneous papers, including unspecified script and research notes

192 - File for 'The Great Rock n' Roll Swindle'

193 - Sales invoices

194 - File relating to Kendon Films

195 - Correspondence with Wimpole Street Films Ltd. relating to funding project

196 - Documents relating to the lease of the property at 8 Berwick Street

197 - VAT returns for Berwick St. Studios

198 - Deed and correspondence between Rossminster Ltd. And Berwick St. Films

199 - Tax and financial documents for Kendon Films

200 - Company documents for Minbourne Ltd. and Kendon Films

201 - Correspondence with bank

202 - VAT returns for Berwick St. Films

203 - Correspondence relating to dispute with Hogarth Leasing Ltd. over outstanding rent payments

204 - Miscellaneous correspondence [relating to Berwick St. Studios and Boyd's Co.]

205 - File of correspondence [relating to 'The Girl with Brains in Her Feet']

206 - Press notes, credits and synopsis for 'East of Elephant Rock'

207 - Press cuttings of Don Boyd

208 - Publicity materials for Boyd's Co. films

209 - Financial documents for Berwick St. Films

210 - Papers (including script draft) for the proposed TV series 'Sweet and Sour'

211 - Contracts and accounts for Berwick St. Films

212 - Press notes for 'East of Elephant Rock', production notes for 'The Tempest' and programme for 'Sweet William'

213 - File on distribution for 'Blue Suede Shoes' and 'Nighthawks'

214 - File for Wallace Publicity Ltd.

215 - Papers [relating to 'Ruby Wax Meets...']

216 - Kendon Films purchase documents

217 - Reports on marketing strategies for 'East of Elephant Rock'

218 - Boyd's Co TV and Video marketing correspondence

219 - Papers relating to the Boyd's Co 'Fairy Tales' series

220 - Miscellaneous papers relating to the Berwick St. offices

221 - Continuity reports for 'Boys in Black' and 'Scum'

222 - File of miscellaneous papers [relating to Boyd's Co. and Kendon Films]

223 - Literature relating to film festivals

224 - Purchase ledgers for Boyd's Co

225 - Correspondence with Thorn and EMI

226 - Papers relating to actors' lodgings during production of 'Sweet William'

227 - VAT forms for Berwick St. Films

228 - File on office cleaning [at Boyd's Co]

229 - File of research on the future of Cable Television

230 - File on business plans for 'The Ryde' project of corporate restructuring

231 - File on plans for redevelopment of the Phoenix Theatre complex, London

232 - Miscellaneous documents relating to Boyd's Co.

233 - Correspondence with the William Morris Agency, Beverly Hills

234 - Profile of Boyd's Co

235 - File on Alistair Boyd

236 - Miscellaneous documents including screenplay for 'Blacklist'

237 - Corporate tax forms for Boyd's Co

238 - File of correspondence relating to the planning of 'Real Class' and Rank Film Distribution

239 - Personnel and hiring papers for Boyd's Co

240 - Miscellaneous invoices and receipts for Kendon Films

241 - Invoices and accounts for Wallace Publicity Ltd.

242 - Expense forms for 'The Tempest'

243 - Travel expenses for Boyd's Co

244 - Miscellaneous invoices for Boyd's Co

245 - British Film Fund Agency applications relating to 'Intimate Reflections'

246 - VAT forms for Berwick St Films

247 - File on the planned development of the Phoenix Theatre Complex

248 - Script notes, synopses and CV for Don Boyd and papers relating to marketing, Boyd's Co.

250 - Insurance documents for Wallace Publicity Ltd., Kendon Films and Boyd's Co.

251 - Agreement with Simon Perry over script for short film 'Commercial Break'

252 - Agreement with Melvyn Bragg over script for film 'Josh Lawson' (including script treatment)

253 - Company and personal expenses of Don Boyd

254 - Invoices and time sheets for Russel Foster

255 - Life Insurance documentation for Boyd's Co

256 - Documentation for equipment insurance

257 - File on proposals for a reggae film entitled 'Babylon'

259 - Documents relating to the sale of Berwick St. recording studios

260 - File on production of 'The Princess and the Pea'

261 - Telex accounts and correspondence [relating to Kendon Films]

262 - Papers relating to dispute between Wallace Publicity Ltd. and Bovis Construction

263 - Papers relating to supply of electricity to Berwick St. Studios by London Electricity

264 - Papers relating to telephones for Wallace Publicity Ltd.

265 - Income tax forms for Boyd's Co.

266 - Balance sheets for Wallace Publicity Ltd.

267 - Accounts for Minbourne Ltd.

268 - File on Scala Cinema

269 - File on rates and Westminster Council relating to Berwick St. premises

270 - Tax documents for Wallace Publicity Ltd.

271 - Balance sheets for Kendon Films

272 - Management accounts for audit of Wallace Publicity Ltd.

273 - File relating to Berwick St. premises

274 - Travel details and other schedule documents for Cannes Film Festival 1987

275 - Accounts and auditors' report [relating to Berwick St. Films]

276 - Contacts lists and other production notes for 'Aria'

277 - Cast lists, contracts and call sheets for 'Twenty-One'

278 - Deal memos, contracts and correspondence for 'Twenty-one'

279 - Call sheets, pre-production schedule and shooting schedules for 'Twenty-One'

280 - Accounts for Wallace Publicity Ltd.

281 - File on company cars and motor insurance for Kendon Films

282 - Bank account details, statements and correspondence for Boyd's Co.

283 - Equipment receipts for Boyd's Co.

284 - Building insurance documents for Kendon Films and Berwick St. offices

285 - Production documents for 'Twenty-One'

286 - Papers relating to 'Twenty-One'

287 - Papers relating to 'Twenty-One'

288 - Script pages with notes and alterations for 'Twenty-One'

289 - Screenplay drafts and annotated shooting scripts for 'Twenty-One'

290 - Script for 'Twenty-One'

291 - Papers relating to the receivership, insolvency and liquidation of Boyd's Co.

292 - Personal notebook of Don Boyd containing script notes for unidentified projects [? Twenty-One]

293 - File of personal correspondence and papers concerning rental of Italian villa

294 - Literary purchase (Zoe Heller) agreement, service agreement and director's agreement relating to 'Twenty-One'

295 - File on costs, revenues and correspondence for Derek Jarman's 'The Last of England'

296 - Agreements, insurance and contracts for Derek Jarman's 'War Requiem'

297 - Correspondence, cast lists, budget notes, script and schedules for 'War Requiem'

298 - File of correspondence and miscellaneous production and budget documents for 'War Requiem'

299 - Poster design, music cue sheets, advertising and publicity materials for 'Aria'

300 - Soundtrack contracts, insurance and correspondence for 'The Last of England'

301 - File on Derek Jarman's pop video productions

302 - Files relating to the presentation of 'Aria' in various film festivals

303 - Budget, screenplay, correspondence, Berlin Film Festival, distribution, advertising and archival footage for 'War Requiem'

304 - Publicity, Don Boyd's production diary, script drafts and photocopy of Jarman's published screenplay for 'War Requiem'

305 - Faxes, correspondence, daily reports, script change memos and camera tests for 'Twenty-One'

306 - Contact lists, location agreements and daily progress reports for 'Twenty-One'

307 - Daily progress reports, general correspondence, research memo (relating to heroin use), credit changes and bonds for 'Twenty-One'

308 - General correspondence, contracts, car hire documents, purchase invoices, post-production notes and call sheets for 'Twenty-One'

309 - Contracts, production budget and correspondence for 'Goldeneye'

310 - Contracts, casting, first shooting script draft, script notes and adjustments for 'Goldeneye'

311 - Press cuttings, reviews, photographs, publicity material, on-set photo prints and second shooting draft of script for 'Goldeneye'

312 - Screenplay first draft screenplay and contracts file for 'Goldeneye'

313 - Screenplay drafts and contracts for uncompleted project 'The Glory'

314 - Contact sheets, correspondence, call sheets and invoices for 'Aria'

315 - Publicity and press materials relating to 'Aria'

316 - File on proposed project 'Past Caring' (including synopses)

317 - Correspondence with Channel 4 Television and Jeremy Isaacs

318 - Correspondence regarding proposed adaptation of A N Wilson's biography of Tolstoy

319 - Correspondence regarding a proposed biographical film about Mother Theresa

320 - Correspondence with 'The Sunday Times' relating to review of Derek Jarman's 'The Last of England'

321 - Documents on proposed feature adaptation of Tristan and Isolde with Ken Russell

322 - Miscellaneous correspondence relating to 'An Unsuitable Job for a Woman' and 'Captive' royalties and Goldcrest Films

323 - Post-production correspondence, contact sheets and orders for prints for 'Aria'

324 - Certificate of nationality, correspondence, American reviews and articles in 'Film Comment' for 'Aria'

325 - Lists of contents of Security Archives Ltd.

327 - Personal correspondence with Ed Clinton relating to 'Holiday Island' and 'Goldeneye'

328 - Correspondence, mostly concerning Don Boyd's trip to the USA

329 - Transcripts of Don Boyd interviews and lectures

330 - Correspondence between landlords and Boyd's Co.

331 - File on Anglo-International Films Ltd. Company re-organisation

332 - Arrangements for performance of opera 'Don Giovanni' at Gray's Inn, London

333 - Biographies and CVs of Don Boyd's collaborators

334 - Press cuttings, reviews and interviews of Don Boyd

335 - Biographies of Don Boyd

336 - Draft manuscript for an anonymous Don Boyd biography

337 - Transcripts of Don Boyd interviews and correspondence with ? Guy Phelps

338 - File on Summerchild Productions

339 - Treatments, synopses, correspondence and a screenplay draft for a proposed project 'The Grass Widower'

340 - Correspondence and a treatment for a proposed film entitled 'The Longest Kiss in History'

341 - File of correspondence on proposed project 'The Glory'

342 - File on project development with the InterTalent Agency, Beverly Hills

343 - File on a proposed modern adaptation of Mary Shelley's 'Frankenstein'

344 - Handwritten notes, scenario, synopsis and correspondence for a proposed adaptation of Vladimir Nabokov's 'Ada'

345 - Correspondence with H W Fisher and Company chartered accountants

346 - File of correspondence on legal and copyright issues concerning 'An Unsuitable Job for a Woman'

347 - Travel documents for trip to New York Aug 1993 [for shooting of ? Kleptomania]

348 - Legal documents and correspondence relating to dispute with unpaid bill from Allwines Ltd.

349 - Union papers relating to Producers Alliance for Cinema and Television (PACT), Broadcasting Entertainment Cinematograph and Theatre Union (BECTU), Director's Guild, British Academy of Film and Television Arts (BAFTA)

350 - File relating to Boyd's Co. insolvency and bankruptcy of Don Boyd

351 - Various items relating to Saab Finance (car purchase), travel documents, flight information and Groucho Club membership

352 - Script treatments, correspondence, handwritten notes and synopses for 'Manon Lescaut'

353 - Correspondence with Finers Solicitors and Howard Kennedy Solicitors over a dispute about royalties with Rank Film Labs

354 - Proposal for film 'Double Fault' based on the story of German tennis player Baron von Cramm

355 - Papers concerning life insurance details and funeral arrangements following the death of Donald John Boyd (Senior)

356 - Papers relating to the London International Film School

357 - File on undeveloped projects The Web; an adaptation of Albert Camus' 'The Fall, La Chute' and a James Ellroy documentary

358 - Correspondence with the William Morris Agency

359 - Bank statements and correspondence

360 - Documents, correspondence and story copies relating to 'The Edith Wharton Ghost Stories'

361 - Correspondence with Tony Bristoll and National Westminster Bank

362 - Files relating to various projects in development 'A Hero of Our Time' (with Nic Roeg), 'My Heart's Desire' (by Jonathan Gems) and a project concerning photographer John Swannell

363 - Account balance sheets for Anglo-International Films

364 - Biographies of Don Boyd

365 - Correspondence about 'The Krays'

366 - Correspondence relating to proposed project 'The Question of Hu' by Jonathan Spence

367 - Licence agreements with 'The Production Centre'

368 - Treatment for film about the Mau Mau

369 - File on Don Boyd's trip to the Perugia Film Festival

370 - File on PanOptic and Arcadian International Resorts Ltd.

371 - Script notes, crew lists, music notes and correspondence relating to major dispute over final cut of 'Kleptomania'

372 - Correspondence for proposed adaptation of Elgar's opera 'The Dream of Gerontius' by Ken Russell

373 - Publicity materials relating to 'Twenty-One'

375 - Building lease documents and surveyors' reports relating to 29 Queen Street and 1 Marlborough Court [London]

376 - Film sales correspondence for 'Films Around the World'

377 - Screenplay writing agreements (Catherine Bailey) and general correspondence relating to 'The Berlin Project'

378 - Location agreements, daily progress reports, synopses and shooting scripts for 'War Requiem'

379 - Press coverage and reviews, Don Boyd's diaries and notes and draft of introduction to Faber screenplay, as well as programmes for 'War Requiem'

380 - Press coverage, reviews, programmes, exhibition documents, screenings and slides for 'War Requiem'

381 - Second and third script drafts, miscellaneous correspondence and telexes for 'Goldeneye'

382 - First draft shooting script, original script treatments and general correspondence for 'Goldeneye'

383 - Screening arrangements, Triton Pictures distribution documents and telex receipts for 'Twenty-One'

384 - Script treatments (with comments), Jamaican National Investment Promotion merchandise, agreements and schedules for 'Goldeneye'

385 - Soundtrack mixing, activity reports, XMT control receipts, script drafts;'Zoe Heller biography and distribution for 'Twenty-One'

386 - Early script drafts and master scripts with notes and comments for 'Twenty-One'

387 - Synopses, cast lists and contact sheets for 'Twenty-One'

388 - Research material, published articles, story, character outlines and contracts for 'The Berlin Project'

389 - Research material, published articles, Berlin tourist information and location photographs for 'The Berlin Project'

390 - Research material and published articles for 'The Berlin Project'

391 - File containing agreements and correspondence on proposed collaboration with Ian McEwan for adaptation of 'The Comfort of Strangers'

392 - File on uncompleted projects 'Naverick Hearts' and Venice music project 'Maestro'

393 - Negotiation of the rights to Alison Lurie's work (inc. 'The Truth about Lorin Jones') for 'Foreign Affairs'

394 - File on 'OZ88'

395 - File of correspondence following the 1988 Rio de Janeiro Film Festival

396 - Correspondence with Bristol University

397 - Correspondence and script treatment for 'Steamers'

398 - Correspondence, agreements and research relating to 'The Ten Pound Fare'

399 - Financial investment plans and correspondence with Zoetrope Studios, Richard Ortoli and Robert Fox relating to Boyd's Co.

400 - Screenplay drafts and correspondence for 'A Sunday Beer'

401 - File on John Purdie projects and Boyd-Purdie Productions Ltd.

402 - Art department breakdown, props lists, location reports, script notes and synopses for 'The Glory'

403 - File on Boyd-Purdie Productions

404 - Script drafts, synopses, locations research (including maps), casting notes and correspondence (Christophe Lambert) for 'The Glory'

405 - Script drafts, budgeting estimates and correspondence for 'The Glory'

406 - File including press cuttings and student magazines for Cambridge University

407 - Documents and correspondence, music budgeting, Lee Drysdale's script 'Defenceless under the night' and scripts for 'Manon'

408 - Documents, correspondence and script drafts (with Don Boyd's notes and revisions) for 'Manon'

409 - Script drafts (including 'Slaves of Fortune' by Don Boyd and Christina Hutchins) for 'Manon'

410 - Script drafts and agreements with Christina Hutchins for 'Manon'

411 - Script drafts and correspondence for 'Manon'

412 - Script (third draft) and Don Boyd's script notes for 'Manon'

413 - Correspondence and synopses for 'Manon'

414 - Dialogue replacement cue sheets, technical log books, accounts file and equity cast contracts for 'An Unsuitable Job for a Woman'

415 - Don Boyd's personal notebooks, order copies (Mercury Theatres), Cinesound Effects Library transfer sheets and delivery notes (dubbing), sound sheets and plans of sets for various rooms for 'An Unsuitable Job for a Woman'

416 - Copies of documents given to John Hardy for 'Twenty-One'

417 - Various production and technical papers for 'Goldeneye'

418 - Production and technical documents and business correspondence for 'The War Requiem'

419 - Plot synopses, correspondence, script treatment and notes, shooting schedules, credits and titles file, contact lists and Cannes Film festival documents for 'Aria'

420 - Documents relating to Don Boyd's travel arrangements, flight bookings and hotel reservations ('Aria')

421 - Outgoing correspondence relating to 'Aria' and 'Goldeneye'

422 - Outgoing correspondence relating to 'Aria' and 'Goldeneye'

423 - File of agreements, contacts and correspondence for 'Disco Soul'

424 - File on Jimmy Lindsay, UK Subs, and 'Punk Can Take It'

425 - Outgoing correspondence of Don Boyd relating to 'Captive' and 'Heroine'

426 - Telexes for Boyd's Co. relating to 'Aria'

427 - Sales reports for 'Scum'

428 - Osprey Films Limited and Boyd's Co. correspondence relating to 'The Tempest'

429 - Correspondence between Osprey Films Limited and Boyd's Co. relating to 'Scum' and 'Intimate Reflections'

430 - Schedules, cast list, unit list and weekly logs for 'Twenty-One'

434 - Screenplay for 'Greek' by Steven Berkoff

435 - Original screenplay for 'The Doctor' by Tom Conti

436 - Film script for 'The Goodnight Boys' by Andrew Zneimer

437 - Third draft screenplay for 'It's All in the Stars'

438 - Screenplay for 'Federico' by Franc Roddam and David Miller

439 - Screenplay for the musical play 'Dreams' by Ian Drosdova

440 - Screenplay for 'The Option' by Dan Morgan

441 - Rehearsal script for 'The Bill' by Barry Appleton

442 - Screenplay for 'Addiction' by Susan Hagan

443 - Script for 'Personal Best'

444 - Screenplay and synopsis for 'Sisters'

445 - First draft script outline for 'Baggage' by Peter Carlton

446 - Screenplay for 'Deleted' by Michael Baker

447 - Screenplay for 'Cringen Clout presents Fur-Line-Tales'

448 - Script treatment for 'The Coady'

449 - Screenplay for 'Internal Damage' by Paul Dann

450 - Screenplay for 'The Dividing Line' by Anthony Burgess

451 - Screenplay for 'The Journey'

452 - Script treatment for 'The Richest Corpse in Show Business'

453 - Screenplay for 'Les Veufs (The Widowers)'

454 - Screenplay for 'Chasing the Bird'

455 - Screenplay for 'Dinner Date'

456 - Screenplay for 'Jack in the Green' by Stephen Burns

457 - Screenplay for 'Nonce' (working title)

458 - Script treatment for 'Scarlet Lips'

459 - Script treatment for 'Stranger on the Earth'

460 - Script treatment for 'Persuasion'

461 - Screenplay for 'Judgment Day' by Michael K Stark

462 - Screenplay for 'Cold Heaven'

463 - Screenplay for 'In the Eye of the Beholder'

464 - Script treatment for 'The Talent Scout' by Romain Gary

465 - Screenplay for 'Civil Boundaries' (a short film)

466 - Script treatment for 'Bagmen' by Barry Appleton

467 - Script treatment for 'Up the City Road'

468 - Script treatment for 'First Light'

469 - Production documents for 'Twenty-One'

470 - Production and technical documents for 'The Beast'

471 - Script drafts for 'Neutron'

472 - Script drafts for 'Neutron'

473 - Publicity material for 'Sweet William'

474 - Publicity material for 'Aria'

475 - Publicity material for 'Captive' (aka 'Heroine')

476 - Film festival programmes for 'Aria'

477 - Boyd's Co. publicity material

478 - Full score for 'War Requiem'

479 - Screenplay for 'The Secret Life of Walter Mitty'

480 - Screenplay for 'The Avengers'

481 - Screenplay for 'Consenting Adults'

482 - Screenplay for 'The Remains of the Day' by Harold Pinter

483 - Screenplay for 'The Secret Garden'

484 - Screenplay for 'Miss Mary Pask'

485 - Screenplay for 'Goldeneye' by Reg Gadney

486 - Screenplay for 'Kerfol'

487 - Screenplay for 'A Sunday Beer'

488 - Screenplay for 'Kray'

489 - Screenplay for 'Captive' (aka 'Heroine')

490 - Outline for a new film by Derek Jarman Sod 'Em (Edward II)

491 - Screenplay for 'The Beast: the Legend of Aleister Crowley'

492 - Production notes for 'Goldeneye'

493 - Script for 'Goldeneye'

494 - Untitled script treatment for a project about Gregory Gatson

495 - Script drafts for 'The Ten Pound Fare'

496 - Production correspondence for 'Scrubbers'

497 - Files on 'Scrubbers'

498 - Script drafts for 'Scrubbers'

499 - Script drafts for 'Monty the Mole'

500 - Script notes for 'Monty the Mole'

501 - Script treatment for 'The Four Seasons' by Don Boyd

502 - Draft screenplay for 'Rain Forest'

503 - Screenplay for 'Mr Pooldoctor'

504 - Draft screenplay for 'Twenty-One'

505 - Revised first draft screenplay for 'A Sunday Beer'

506 - Second draft screenplay for 'A Sunday Beer'

507 - Screenplay for 'Ada: A Family Chronicle'

508 - Screenplay drafts for 'Kleptomania'

509 - Screenplay draft for 'Kleptomania' screenplay drafts, revisions, and notes

510 - Production documents for 'Kleptomania'

511 - Correspondence for 'Kleptomania'

512 - Production and publicity documents for 'Vicars'

513 - Script for documentary film 'A Natural Miracle: the new medical paradigm for Curing Cancer now' by Dr Carmen Wheatley

514 - Script treatment and notes for 'Clare and Me'

515 - Correspondence, notes and script treatment drafts for an adaptation of 'La Chute' by Albert Camus

516 - Miscellaneous correspondence regarding low-budget film production

517 - Payment invoices, tax demand, and foreign video sales invoices relating to 'Twenty-One- and 'Kleptomania'

518 - Don Boyd's notebook containing directions for the 'Ruby Wax Show' at Henley, Goodwood

519 - Article about Breyten Breytenbach

520 - First draft book proposal for 'The Dictator Game'

521 - Don Boyd's pocket diaries, notebook and expenses book

522 - Various print material for the presentation of 'Aria' at the Cannes Film Festival

523 - Various French print material for the presentation of 'Aria' at the Cannes Film Festival

524 - Script drafts for 'Sweet William' by Beryl Bainbridge

525 - Revised screenplay for 'The Barrier'

526 - Screenplay for 'Riot Act'

527 - Screenplay for 'Affair: the true story of Stephen Ward and Profumo-Keeler-Ivanov Scandal'

528 - Script for 'B Movie: Little England, A Time of Hope' by Derek Jarman and Julian Sands

529 - Script treatment for 'The Golden Heart of Doctor Dream: An Original Story' by Keith Williams

530 - Screenplay for 'Glad' by Bill Bryden

531 - Export script for 'Scum'

532 - Book manuscript for 'Raymond Chandler in Hollywood' by Al Clark

533 - Screenplay for 'Josh Lawton' by Melvyn Bragg

534 - Screenplay for 'Scrubbers'

535 - Script treatment for 'The Ghost Runner - the Story of John Tarrant'

536 - Osprey-Boyd Reports: Foreign and Domestic Film Sales

537 - Foreign Film Sales Documents for 'Hussy'

538 - Foreign Film Sales Documents for 'The Tempest'

539 - Foreign Film Sales Documents for 'Blue Suede Shoes'

540 - Foreign Film Sales Documents for 'Scum'

542 - Script drafts and synopsis for 'Manon'

543 - Miscellaneous documents on foreign film sales and stock lists

544 - Miscellaneous screenplay drafts

545 - Miscellaneous screenplay drafts

546 - Don Boyd's synopses for 'A Green and Pleasant Land'

547 - Press publicity for 'The Babe Business'

548 - Don Boyd's biographies, CV, and filmography

549 - Production documents for 'Just a Little Rain' by Victoria Clark and Patrick Bishop

550 - Production documents for 'Ruby's Health Quest'

551 - Production materials for 'Ruby Does the Season'

552 - Production materials for 'Ruby Does the Season'

553 - Pre-production materials for 'Last Lovers'

554 - Reviews for various Don Boyd films

555 - Notes, research and interview plans for 'Hello, We Lied'

556 - Technical documents for 'The Full Wax'

557 - Correspondence and research notes for 'Hello, We Lied'

558 - General correspondence

559 - General correspondence

560 - General correspondence

561 - General correspondence

562 - Script treatments for 'Telethon' and 'Frere Jacques' by Stephen Lowenstein

563 - Script treatments for 'A Green and Pleasant Land' 'The Kingdom' and 'The King's Secret'

564 - Miscellaneous script treatment submissions

565 - Miscellaneous television documentary documents

575 - Inland Revenue and tax returns [for Kendon Films]

576 - Kendon Films cash book payments and paid invoices

577 - Wallace Publicity Ltd paid invoices

578 - Boyd's Co. pink vouchers

579 - Kendon Films audit file

580 - Copies of all outgoing correspondence [relating to 'War Requiem' and 'The last of England']

581 - Financial documents for 'An Unsuitable Job for A Woman'

583 - Crewing documents for 'An Unsuitable Job for A Woman'

584 - Financial documents for 'An Unsuitable Job for A Woman'

586 - General correspondence for 'Captive' (aka 'Heroine')

587 - General correspondence for 'Captive' (aka 'Heroine')

588 - Script drafts for 'Captive' (aka 'Heroine')

589 - Crew documents for 'Captive' (aka 'Heroine')

590 - French correspondence for 'Captive' (aka 'Heroine')

591 - Insurance documents for 'Captive' (aka 'Heroine')

592 - Music correspondence for 'Captive' (aka 'Heroine')

593 - Correspondence for 'Aria'

594 - Correspondence for 'Aria'

595 - Correspondence for 'Aria'

596 - Correspondence for 'Aria'

597 - Budget documents for 'Aria'

598 - Publicity material for 'Aria'

599 - Publicity material for 'Aria'

600 - Insurance documents for 'Aria'

601 - Music documents for 'Aria'

602 - Photographic documents for 'Aria'

603 - Boyd's Co. advertisments

604 - Press articles

605 - Boyd's Co. publicity correspondence

606 - Boyd's Co. spare press cuttings

607 - Correspondence and publicity material for Boyd's Co.

608 - Boyd's Co. press agents representation requests

609 - File on film storage

610 - File on Don Boyd's account with the Savoy Hotel, London

611 - US studios' personnel lists for 'Who's Who at the Majors'

612 - Correspondence with Selwyn Davidson

613 - Boyd's received telexes

614 - Correspondence regarding Berwick St. Recording Studios

615 - Artiste's salary vouchers and tax returns for 'Coming Out of the Ice'

616 - Financial documents for Limited Partnerships

617 - File on Kendon Films and US business

618 - Financial advice from Rossminster Ltd.

619 - US financial documents paid by London office

620 - Financial documents for 'An Unsuitable Job for a Woman'

621 - Financial documents for Boyd's Co. Film Productions Ltd.

622 - Kendon Films bank statements

625 - Boyd's Co. bank reconciliations

626 - Correspondence for 'Honky Tonk Freeway'

627 - Contracts for 'Honky Tonk Freeway'

628 - Pre-production materials for 'Early Warning'

629 - Financial documents for 'Honky Tonk Freeway'

630 - Budget documents for 'Honky Tonk Freeway'

631 - Script proposals for 'Holiday Island'

632 - Publicity for 'Honky Tonk Freeway'

633 - EMI production file for 'Honky Tonk Freeway'

635 - Post-release correspondence for 'Honky Tonk Freeway'

636 - Production agreements for 'Honky Tonk Freeway'

637 - Screenplay agreements for 'Holiday Island'

638 - Publicity correspondence for 'Honky Tonk Freeway'

639 - Miscellaneous correspondence for 'Honky Tonk Freeway'

640 - Kendon Films statements A-C

641 - Kendon Films statements D-J

642 - Kendon Films statements R

643 - Kendon Films statements S-Z

647 - Boyd's Co. account reconciliations and analysis

648 - Boyd's Co. and Berwick St. Films cash book vouchers for 'Scum'

649 - Invoices for 'Sweet William'

650 - Invoices for 'Sweet William'

651 - Invoices for 'Sweet William'

652 - Payroll advices for 'Sweet William'

653 - Paid invoices for 'Sweet William'

654 - Kendon Films paid invoices

655 - Kendon Films unpaid invoices

657 - Kendon Films paid invoices

658 - Kendon Films paid invoices

659 - Invoices for 'An Unsuitable Job for a Woman'

660 - Invoices for 'An Unsuitable Job for a Woman'

661 - Financial documents for 'An Unsuitable Job for a Woman'

662 - Artiste contracts for 'An Unsuitable Job for a Woman'

663 - Financial documents for 'An Unsuitable Job for a Woman'

665 - Berwick St. Films correspondence

666 - Financial documents for 'The Tempest'

667 - Financial documents for Number Eight Films Ltd.

668 - Invoices for 'An Unsuitable Job for a Woman'

669 - Invoices for Boyd's Co.

670 - Invoices for Boyd's Co.

671 - Financial documents for 'Hussy'

672 - Invoices for Kendon Films

673 - Purchase and sales day books

674 - Purchase and sales day books

675 - Nominal ledger for Kendon Films Ltd.

676 - Purchase ledger for Kendon Films Ltd.

677 - Nominal ledger for Number 8 films Ltd.

678 - Financial documents for 'Punk Can Take It'

679 - Contracts for 'The Tempest'

680 - Invoices for Kendon Films Ltd.

681 - Invoices for 'The Tempest'

682 - Audit file for Kendon Films Ltd.

683 - Number 8 Films sales day book

684 - Unpaid invoices for Wallace Publicity

685 - Audit file for Berwick St. Recording Studios

686 - Bank statements

687 - Crowd artistes tax cards

690 - Company ledger

691 - Financial documents for 'Sweet William'

692 - Financial documents for Berwick St. Films 'A'

693 - Financial documents for 'Scum'

695 - K Binder containing alphabetised accounts

696 - Unpaid invoices for 'Sweet William'

697 - Financial documents for 'Sweet William'

698 - Bank statments for 'Sweet William'

699 - Financial documents for 'Blue Suede Shoes'

700 - Financial documents for 'Spitoon'

701 - Receipts for 'The Tempest'

702 - Financial documents for 'The Tempest'

703 - Correspondence for 'Scum'

705 - Screenplay for 'Gossip'

706 - Pre-production documents for 'Intimate Reflections'

707 - Legal documents for 'Intimate Reflections'

708 - Publicity for 'Intimate Reflections'

709 - Insurance documents for 'Intimate Reflections'

710 - Boyd file for 'Intimate Reflections'

711 - Financial documents for 'Intimate Reflections'

712 - Schedule details for the British Film Fund Agency

713 - Financial documents for 'Aria'

714 - Financial documents 'Aria'

716 - Purchase book for 'Aria'

717 - Purchase book for 'Aria'

718 - Financial documents for 'Aria'

719 - Pre-production for 'Holiday Island'

720 - Script treatment for 'The Golden Heart of Doctor Dream'

721 - Screenplay and treatment for 'Epic'

722 - Script treatment for 'Actors'

723 - Correspondence with Sir Rupert Hart-Davis

724 - Pre-production documents for 'Travelling On'

725 - Production documents for 'Spitoon'

726 - Screenplay for 'Carnival War'

727 - Correspondence for 'Night People'

728 - Script treatment for 'Raymond Chandler in Hollywood'

729 - Script proposals for 'Fagin' and 'Safekeeping'

730 - UK subs for 'Punk Can Take It'

731 - Invoices and accounts for Boyd's Co. and Berwick St. Films

732 - Correspondence for 'Anti-Clock'

733 - Miscellaneous memos to Don Boyd

734 - Legal documents for 'War Requiem'

735 - Foreign film sales agreements

736 - Correspondence for 'Vivaldi's Four Seasons'

737 - File on the London School of Film Technique

738 - Production documents for 'Captive' (aka 'Heroine')

739 - Pre-production documents for 'Aria'

740 - Distribution documents for 'The Great Rock 'n' Roll Swindle'

741 - Don Boyd's notebooks [relating to 'The Foreigner']

742 - Travel schedules for Don Boyd

743 - Photographs from 'Gossip'

744 - Slides from 'Sweet William'

745 - Slides from 'Hussy'

746 - Interviews for 'Hello, We Lied'

747 - Interviews for 'Hello, We Lied'

748 - Don Boyd's lecture transcripts and interviews

750 - Production documents for 'Spitoon'

751 - Production documents for 'The Tempest'

757 - Don Boyd's financial documents

758 - Don Boyd's early script notes

759 - Continuity sheets for 'Gossip'

760 - Production documents for 'Gossip'

761 - Continuity reports for 'Gossip'

762 - Press for 'Gossip'

763 - Prop return notes for 'Gossip'

764 - Screenplay for 'Gossip'

765 - Screenplay for 'Gossip'

766 - Screenplay for 'Gossip'

767 - Incomplete screenplay for 'Gossip'

768 - Production documents for 'Gossip'

769 - Continuity sheets for 'The Tempest'

770 - Casting documents for 'The Tempest'

771 - Equipment documents for 'The Tempest'

772 - Financial documents for 'The Tempest'

773 - Technical documents for 'Scum'

774 - Correspondence for 'Scum'

775 - Correspondence for 'Blue Suede Shoes'

776 - Crew documents for 'Blue Suede Shoes'

777 - Production documents for 'Hussy'

778 - Casting documents for 'Hussy'

779 - Casting documents for 'Hussy'

780 - Casting documents for 'Hussy'

781 - Progress reports for 'Hussy'

782 - Technical documents for 'Hussy'

783 - Location documents for 'East of Elephant Rock'

784 - Correspondence for 'East of Elephant Rock'

785 - Unit lists for 'East of Elephant Rock'

786 - Editing notes for 'East of Elephant Rock'

787 - Correspondence for 'East of Elephant Rock'

788 - Thank-you letter for 'East of Elephant Rock'

789 - Technical documents for 'East of Elephant Rock'

790 - Crew documents for 'East of Elephant Rock'

791 - Publicity for 'East of Elephant Rock'

792 - Contracts for 'East of Elephant Rock'

793 - Music documents for 'East of Elephant Rock'

794 - Correspondence for 'East of Elephant Rock'

795 - Technical documents for 'East of Elephant Rock'

796 - Equipment documentation for 'East of Elephant Rock'

797 - Technical documents for 'East of Elephant Rock'

799 - Casting documents for 'East of Elephant Rock'

800 - Cast list for 'East of Elephant Rock'

801 - Art department notes for 'East of Elephant Rock'

802 - Freight documentation for 'East of Elephant Rock'

803 - Financial documents for 'East of Elephant Rock'

804 - Shooting documents for 'East of Elephant Rock'

805 - Correspondence with Bob Godfrey (animator)

806 - Correspondence for 'Evita'

807 - Correspondence with Fred Hift Associates

808 - Barry Sheen project

809 - Technical documents on distribution

810 - Possible investment documents [relating to St George's Theatre, London]

811 - File on Inter-Action Productions

812 - File on Molinaire Audio and Video Communication Facilities

813 - Miscellaneous correspondence

814 - Management file on John Maxwell

815 - Crew documents for 'An Unsuitable Job for a Woman'

816 - Unions' documentation for 'An Unsuitable Job for a Woman'

817 - Insurance documents for 'An Unsuitable Job for a Woman'

818 - Technical documents for 'An Unsuitable Job for a Woman'

819 - Location documentations for 'An Unsuitable Job for a Woman'

820 - Script notes for 'An Unsuitable Job for a Woman'

821 - Publicity for 'An Unsuitable Job for a Woman'

822 - Correspondence for 'An Unsuitable Job for a Woman'

823 - Contracts for 'An Unsuitable Job for a Woman'

824 - Technical documents for 'An Unsuitable Job for a Woman'

825 - Dubbing chart reels for 'An Unsuitable Job for a Woman'

826 - Correspondence for 'An Unsuitable Job for a Woman'

827 - Production documents for 'An Unsuitable Job for a Woman'

828 - Sound test reports for 'An Unsuitable Job for a Woman'

829 - Technical documents for 'An Unsuitable Job for a Woman'

830 - Copy orders for 'An Unsuitable Job for a Woman'

831 - Unit lists for 'An Unsuitable Job for a Woman'

832 - Artistes' call sheets for 'An Unsuitable Job for a Woman'

833 - Daily continuity reports for 'An Unsuitable Job for a Woman'

834 - Casting documents for 'An Unsuitable Job for a Woman'

835 - Master call sheets for 'An Unsuitable Job for a Woman'

836 - Daily continuity reports for 'An Unsuitable Job for a Woman'

837 - Daily continuity reports for 'An Unsuitable Job for a Woman'

838 - Sound sheets for 'An Unsuitable Job for a Woman'

839 - Production documents for 'An Unsuitable Job for a Woman'

840 - Correspondence with Dennis Davidson Associates

841 - Financial documents for Kendon Films

842 - Tax forms for Wallace Publicity and Kendon Films

843 - Financial documents for Wallace Publicity and Boyd's Co.

844 - Tax forms for Wallace Publicity and Boyd's Co.

845 - Forms 'C' for registration with the Department of Trade as British Films

847 - Financial documents for 'Scum'

848 - Financial documents for 'Hussy'

849 - Financial documents for Arthur Andersen & Co.

850 - VAT documents on films and film partnerships

851 - Audit file for 'Blue Suede Shoes'

852 - Financial documents for the Cannes Film Festival

853 - Overseas expense claims forms

854 - Correspondence with Kendon Films and Richard Weale

856 - Miscellaneous financial documents

857 - Programme material for the 'Music in Film' seminars

858 - Auxiliary services files

859 - Travel services files

860 - Auxiliary services file

861 - Boyd's Co. staff file

862 - Boyd's Co. insurance documents

863 - J C Williamson film distributors' correspondence

864 - File on Don Boyd's nightclub memberships

865 - Script treatment for 'A Series of Fairy Tales'

866 - Set of script treatments and plot synopses

867 - Screenwriting agreements for 'Manon Lescaut'

868 - Various script treatments and synopses

869 - Boyd's Co.'s legal dispute

870 - Don Boyd profile

871 - Screenplay for 'The Lair of the White Worm'

872 - Screenplay for 'Addiction'

873 - Screenplay for 'Klondike'

874 - Manuscript for 'Shrines and Clinics'

875 - Correspondence for 'Captive' (aka 'Heroine') and 'Aria'

876 - Boyd's Co. correspondence

877 - Legal documents for 'Sweet William'

878 - Technical documents for 'Sweet William'

879 - Continuity reports for 'Sweet William'

880 - Publicity for 'Sweet William'

881 - Technical documents for 'Sweet William'

882 - Script amendments for 'Sweet William'

883 - Publicity for 'Sweet William'

884 - Financial documents for 'Sweet William'

885 - Actor file for 'Sweet William'

886 - Screening schedules for 'Sweet William'

887 - Correspondence for 'Sweet William'

888 - Correspondence for 'Sweet William'

889 - Technical documents for 'East of Elephant Rock'

890 - Travel documents for 'East of Elephant Rock'

891 - Sound transfer reports for 'East of Elephant Rock'

892 - Shooting schedules for 'East of Elephant Rock'

893 - Publicity for 'East of Elephant Rock'

894 - Publicity for 'East of Elephant Rock'

895 - Correspondence for 'East of Elephant Rock'

896 - Unit lists for 'East of Elephant Rock'

897 - Production documents for 'East of Elephant Rock'

898 - Correspondence for 'East of Elephant Rock'

899 - Production documents for 'East of Elephant Rock'

900 - Script for 'East of Elephant Rock'

901 - Casting documents for 'Sweet William'

902 - Accommodation documents for 'Sweet William'

903 - Call sheets for 'Sweet William'

904 - Financial documents for 'Sweet William'

905 - Documents for 'The Priests of Power' and 'The House on Avenue Road'

906 - Correspondence for 'Scum'

907 - Financial documents for Osprey Boyd Films Ltd.

908 - Financial documents for 'An Unuitable Job for a Woman'

909 - Production documents for 'An Unuitable Job for a Woman'

910 - Production documents for 'An Unuitable Job for a Woman'

911 - Production notes for 'An Unuitable Job for a Woman'

912 - Outgoing correspondence for Boyd's Co.

913 - Outgoing correspondence for Boyd's Co.

914 - Financial documents for 'An Unsuitable Job for a Woman'

915 - Files on the Aldeburgh Festival and Snape Maltings Foundation

916 - Documents for Cannes Film Festival

917 - Documents for Edinburgh International Festival

918 - Documents on various film festivals

919 - London Film Festival documents for 'East of Elephant Rock'

920 - File on Conchord Management Ltd. (orchestral music)

921 - Correspondence with the English Music Theatre Company

922 - File on Conservative Party coverage

923 - Documents on The Other Cinema and Tyneside Cinema

924 - Correspondence with the Scala Cinema and the Electric Cinema

925 - Correspondence with the Electronic Picture House production company

926 - Statutory documents for Kendon Films

927 - Correspondence for Wallace Publicity

928 - Financial documents for Berwick St. Recording Studios

929 - Correspondence for Berwick St. Recording Studios

930 - Statutory documents for Wallace Publicity

931 - Financial documents for Wallace Publicity

932 - Correspondence for the Kendon company group

933 - Financial documents for Kendon Films

934 - Company assessments for Boyd's Co.

935 - Statutory documents for Minbourne Ltd.

936 - Financial documents for Berwick St. Recording Studios

937 - Preproduction documents for 'Red Saturday'

938 - Script notes for 'Woman at Risk'

939 - Crew and staff letters of application

940 - Cast applications for 'Travellin' On'

941 - Corinne Cartier's miscellaneous file [relating to 'An unsuitable job for a woman']

942 - Publicity for Boyd's Co. and Kendon films

943 - Documents for 'Spittoon'

944 - Various documents for location scouting

945 - Correspondence with Shelly Bancroft

946 - Correspondence with Tim Corrie (writer)

947 - Advertisements and catalogues for film-making facilities, prop hire, special effects etc

948 - Correspondence for script and screenplay proposals

949 - Employment applications to Boyd's Co. and Kendon Films

950 - Employment applications to Boyd's Co. and Kendon Films

951 - Employment applications to Boyd's Co. and Kendon Films

952 - Letters of application for employment at Boyd's Co. and Kendon Films

953 - Letters of application for employment at Boyd's Co. and Kendon Films

954 - Preproduction documents for 'In the Sahara with Crewe'

955 - Correspondence with Peter Lake (journalist)

956 - Preproduction documents for 'Isabelle Eberhardt'

957 - Correspondence for 'Isabelle Eberhardt'

958 - Correspondence for 'Isabelle Eberhardt'

959 - French language screenplay for 'Isabelle Eberhardt'

960 - Union documents and correspondence

961 - Union documents and correspondence

962 - Union documents and correspondence

963 - Union documents and correspondence

964 - Union documents and correspondence

965 - Union documents and correspondence

966 - BAFTA correspondence, film lists, and programmes

967 - AIP correspondence

968 - Correspondence with the Directors' Guild of Great Britain

969 - Annual reports for the British Film and Television Producers Association Ltd.

970 - General correspondence for 'Aria'

971 - Correspondence for 'Aria correspondence'

972 - Correspondence for 'Aria'

973 - Correspondence for 'Aria' correspondence: Bruce Beresford

974 - Correspondence for 'Aria'

975 - Correspondence for 'Aria'

976 - Correspondence for 'Aria'

977 - Correspondence for 'Aria'

978 - Correspondence for 'Aria'

979 - Correspondence for 'Aria'

980 - Correspondence for 'Aria'

981 - General correspondence for 'Aria'

982 - Correspondence for 'Aria'

983 - Publicity for 'Aria'

984 - Correspondence and contracts for 'Aria'

985 - Directors' file for 'Aria'

986 - Script notes for 'Aria'

987 - Pre-production for 'Aria'

988 - Music documents for 'Aria'

989 - Pre-production for 'The Last of England'

990 - Technical documents for 'The Last of England'

991 - Publicity for 'The Last of England'

992 - Correspondence for 'The Last of England'

993 - Photographs for 'The Last of England'

994 - Legal documents for 'The Last of England'

995 - Legal documents for 'The Last of England'

996 - Financial documents for 'An Unsuitable Job for a Woman'

997 - Financial documents

998 - Financial documents

999 - Statements for Kendon Films

1000 - Statements for Kendon Films

1001 - Script reports

1002 - Pre-production documents

1003 - Correspondence with Brecher and Co solicitors

1004 - Harpers and Queen video magazine

1005 - Miscellaneous correspondence

1006 - Miscellaneous correspondence

1007 - Confidential correspondence

1008 - Personal correspondence

1009 - Correspondence with the British Film Institute

1010 - Correspondence for British Film Year

1011 - Travel memos

1012 - Correspondence with American Trade Associations

1013 - Correspondence with theatre companies

1014 - Correspondence with foreign companies

1015 - Business correspondence

1016 - Equipment catalogues

1017 - Administration documents

1018 - Correspondence with Court Film Society

1019 - Business correspondence

1020 - Production correspondence

1021 - Pre-production documents for 'Dream of a Ridiculous Man'

1022 - Production documents for 'Mr Sunlight'

1023 - Pre-production documents for 'Mothers'

1024 - Screenwriter's agreement for 'Nanny'

1025 - Pre-production documents

1026 - Script treatment 'Going Down in the Eighties'

1028 - Miscellaneous correspondence

1029 - Boyd's Co. account documents, bank balances and associated correspondence

1030 - Financial correspondence for Wallace Publicity

1031 - Correspondence and financial documents

1032 - Company legal documents

1033 - Partnership film agreements with Rossminster Ltd

1034 - Correspondence with Private Company Development Ltd. Consultants

1035 - Legal correspondence

1036 - Miscellaneous solicitors' correspondence

1037 - Financial documents for 'Hussy'

1038 - Financial documents for 'Hussy'

1039 - Financial documents for 'Hussy'

1040 - Financial documents for 'Hussy'

1041 - Financial documents for 'Hussy'

1042 - Financial documents for Berwick St. Films

1044 - Pre-production documents for a Jimmy Lindsay promo

1045 - Financial documents for 'Blue Suede Shoes'

1046 - Pre-production documents for 'Hussy'

1047 - Pre-production documents for 'Hussy'

1049 - Financial documents for 'Hussy'

1050 - Financial documents for 'Hussy'

1051 - Production documents for 'Scrubbers'

1052 - Financial documents for 'The Four Seasons'

1053 - Correspondence for 'Scum'

1054 - Financial documents for 'Scrubbers'

1055 - Production documents for 'Scrubbers'

1057 - Continuity reports for 'East of Elephant Rock'

1058 - Financial documents for 'Scum'

1059 - Financial documents for 'Hussy'

1060 - Financial documents for Berwick St. Films

1061 - Audit files for Wallace Publicity

1063 - Publicity for 'The Great Rock n' Roll Swindle'

1064 - Press cuttings for 'Hussy'

1065 - Press cuttings for 'Sweet William'

1066 - Press cuttings for 'Sweet William'

1067 - Press cuttings for 'The Tempest'

1068 - Press cuttings for 'Nighthawks'

1069 - Miscellaneous press cuttings

1070 - Progress reports for 'Intimate Reflections'

1071 - Production documents for 'Intimate Reflections'

1072 - Call sheets for 'Sweet William'

1073 - Business documents for Minbourne Ltd.

1074 - Miscellaneous correspondence

1075 - Insurance documents

1076 - Outgoing correspondence

1077 - Business correspondence for Berwick St. Studios

1078 - Financial research documents

1079 - Research file on distribution, sales, and film festivals

1080 - Foreign sales resumes

1081 - File on original 'Look Back in Anger'

1082 - Distribution correspondence

1083 - Distribution documents for 'East of Elephant Rock'

1084 - Marketing documents for 'Hony Tonk Freeway'

1085 - Production documents

1086 - Production documents for 'The Tempest'

1087 - Distribution correspondence for 'An Unsuitable Job for a Woman'

1088 - Distribution documents for 'Sweet William'

1089 - Publicity documents and notes

1090 - Production documents for 'The Princess and the Pea and Other Fairy Stories'

1091 - Production documents for 'Captive' (aka 'Heroine')

1092 - Financial documents for 'Captive' (aka 'Heroine')

1093 - Continuity reports for 'Captive' (aka 'Heroine')

1094 - Correspondence for 'Captive' (aka 'Heroine')

1095 - Technical documents for 'Captive' (aka 'Heroine')

1096 - Production slides for 'Lucia'

1097 - Publicity material for 'Lucia'

1098 - Screenplay for 'The Kingdom'

1099 - File on the London International Flim School

1100 - Private folder of financial correspondence

1101 - Proposals for 'The Pusuit of Beauty'

1102 - Equipment lists for 'Donald and Luba: a Family Movie'

1103 - Research documents for the London International Film School

1104 - Script notes for 'My Kingdom'

1105 - Distribution documents for 'Lucia'

1106 - Correspondence for various television projects

1107 - Don Boyd's personal correspondence file

1108 - Don Boyd's personal correspondence file

1109 - Miscellaneous script treatments

1110 - Legal documents for Boyd's Co.

1111 - Production documents for 'Look Back in Anger'

1112 - Various casting submissions

1113 - Script treatment for 'The Bomb-Site'

1114 - Screenplays for 'Look Back in Anger'

1115 - Pre-production documents for 'Young Marriage'

1116 - Correspondence with Roy Tucker

1117 - Business correspondence

1118 - Correspondence with Les Productions Belles Rives

1119 - Correspondence for 'Captive' (aka 'Heroine')

1120 - Correspondence with Virgin Films Ltd.

1121 - Correspondence for 'Captive' (aka 'Heroine')

1122 - Documents for London Multimedia Market

1123 - Production documents for 'The Last Chorus'

1124 - Script treatment for 'The BFG'

1125 - Screenplay for 'Glad: the Wales Project'

1126 - Various production documents [relating to 'Cities Numbers Nights']

1127 - Screenplay draft for 'Early Warning'

1128 - Pre-production documents for 'Early Warning'

1129 - Script for 'Felix Holt the Radical'

1130 - Script notes for 'Fagin'

1131 - Script drafts of 'An Unsuitable Job for a Woman'

1132 - Production documents for 'An Unsuitable Job for a Woman'

1133 - Pre-production documents for 'Sweet William'

1134 - Pre-production documents for 'Sweet William'

1135 - Pre-production documents for 'Sweet William'

1136 - Legal documents for 'Sweet William'

1137 - Correspondence for 'Sweet William'

1138 - File on MIFED international documentary film and television market

1139 - File on Istanbul International Film Festival

1140 - Draft screenplay for 'The Will'

1141 - Script drafts for 'War Requiem'

1142 - Article on music written for the Directors Guild of Great Britain

1143 - File relating to Don Boyd's membership of the Producers' Guild of America

1144 - Grant application forms and end of month statistics for Apr

1145 - Correspondence for 'Punk Can Take It'

1146 - File on a video magazine [for Harpers and Queen]

1147 - File on Chris Petit

1148 - Legal documents for Berwick St. Recording Studios

1149 - Script notes for 'An Unsuitable Job for a Woman'

1150 - Rough first draft of 'A Sunday Beer'

1151 - Meeting minutes for Boyd's Co. management

1152 - Pre-production documents for 'An Unsuitable Job for a Woman'

1153 - File on Don Boyd's early career

1154 - File on Dempsey and Squires Ltd.

1155 - Legal documents against Kendon Films and EMI

1156 - Miscellaneous documents for Kendon Films Ltd.

1157 - File on Dennis Davidson Associates

1158 - Miscellaneous legal documents

1159 - Correspondence with Brecher and Co. Solicitors

1160 - File on early Boyd's Co.

1161 - Post-production documents for 'Honky Tonk Freeway'

1162 - Screenplay for 'The Torrents of Spring'

1163 - Minutes for Berwick St. Films Ltd.

1164 - File on Creative Business

1165 - Financial documents for 'Honky Tonk Freeway'

1166 - Miscellaneous financial papers

1167 - Financial documents for 'Honky Tonk Freeway'

1168 - Corporate finance documents

1169 - Financial documents for 'East of Elephant Rock'

1170 - Financial documents for Hennelsmark Ltd.

1171 - Miscellaneous financial documents

1172 - Various company documents

1173 - Boyd's Co. progress reports

1174 - File on 'The Upstart' and 'Curiosity Killed the Cat'

1175 - File on Michael Relph's engagement at Kendon Films

1176 - Pre-production documents 'Who Saw Him Die?' and 'Mr Moon's Last Case'

1177 - Script treatment for 'The Rainbow Upside Down'

1178 - Pre-production for 'The Great Rock'n'Roll Swindle'

1179 - Financial documents for 'Ballet Hoffman' (aka 'Dancer')

1180 - File on Boyd's work on commercials

1181 - Screenplay for 'Twist' (aka 'Who Saw Him Die?')

1182 - Correspondence with Signal Films Ltd.

1183 - Correspondence with Simon Olswang, Brecher and Co. Solicitors

1184 - Boyd's Co. personnel correspondence

1185 - Rossminster Ltd. acceptances

1186 - Pre-production for a film of the Queen's Silver Jubilee sculpture exhibition

1187 - Pre-production correspondence for 'Evita'

1188 - File on Ron Peck

1189 - Draft screenplay for an untitled project

1190 - File on Robert Garforth-Bles

1191 - File on Graham Benson

1192 - Progress reports for various Boyd's Co. projects

1193 - Legal documents

1194 - Documents for Rossminster Ltd.

1195 - Miscellaneous personnel correspondence

1196 - Crew contracts for 'Gossip'

1197 - Production documents for 'Gossip'

1198 - Production documents for 'Gossip'

1199 - Legal documents for 'Blue Suede Shoes'

1200 - Distribution correspondence for 'Intimate Reflections'

1201 - Production documents for 'Nighthawks'

1202 - Correspondence for 'St. Jack'

1203 - Correspondence for 'Nighthawks'

1204 - Production documents for 'International Velvet'

1205 - General correspondence

1206 - Post-production documents for 'East of Elephant Rock'

1207 - Correspondence for 'The Four Seasons'

1208 - Correspondence with BFPA Ltd.

1209 - Correspondence for 'Who Saw Him Die?' and 'Twist'

1210 - Production documents for 'The Four Seasons'

1211 - Screenplay for 'Twist'

1212 - Production documents for 'The Tempest'

1213 - Listings of Michael Relph's engagements

1214 - Financial correspondence for Wallace Publicity

1215 - Pre-production documents for 'Poetry Anthology'

1216 - Production documents for 'The Four Seasons'

1217 - Financial documents for 'Intimate Reflections'

1218 - Miscellaneous documents for Kendon Films

1219 - BFPA correspondence

1220 - Production documents for 'Anti-Clock'

1221 - Screenplay draft for 'Hyde'

1222 - Production documents for 'Travelling On'

1223 - Script reports for 'Hyde'

1224 - Legal documents for 'An Unsuitable Job for a Woman'

1225 - Project development documents

1226 - Production documents for 'The Beard'

1227 - Pre-production documents for 'Monty the Mole'

1228 - Production documents for 'Travelling On'

1229 - Distribution documents for 'Nighthawks'

1230 - Pre-production documents for 'Night People' and 'The Lock-Up'

1231 - Correspondence for 'Neutron'

1232 - Production documents for 'Neutron'

1233 - Script for 'Neutron'

1234 - Production documents for 'Neutron'

1235 - Production documents for 'Neutron'

1236 - Script notes for 'The House on Avenue Road'

1237 - Script notes for 'Carnival War'

1238 - Script notes for 'Carnival War'

1239 - Pr-production documents for 'Actors'

1240 - Correspondence for 'An Unsuitable Job for a Woman'

1241 - Casting documents for 'Sweet William'

1242 - Artistes' contracts for 'Sweet William'

1243 - Financial documents for 'Sweet William'

1244 - Insurance documents for 'Sweet William' insurance

1245 - Contracts for 'Sweet William'

1246 - Letters of engagement for 'Sweet William'

1247 - Cast and crew lists for 'Sweet William'

1248 - Location contracts for 'Sweet William'

1249 - Audit file for 'Sweet William'

1250 - Financial documents for 'Sweet William'

1251 - Financial documents for 'Sweet William'

1252 - Financial documents for 'Sweet William'

1253 - Production documents for 'Sweet William'

1254 - Financial documents for 'Sweet William'

1255 - Legal documents for 'Sweet William'

1256 - Production documents for 'Sweet William'

1257 - Financial documents for 'Sweet William'

1258 - Financial documents for 'Sweet William'

1259 - Pre-production documents for 'Federico'

1260 - Acquisition documents for The Phoenix Project

1262 - Legal correspondence

1263 - Legal documents for 'Federico'

1264 - Miscellaneous legal documents for Berwick St. Films 'B'

1265 - Financial documents for 'Hussy'

1266 - Financial documents for Boyd's Co. and associated companies

1267 - Financial documents for Berwick St. Films 'B'

1268 - Financial documents for Kendon Films

1269 - Financial documents for Berwick St. Films

1270 - Tax documents relating to Soren Fisher Associates

1271 - Bank statements for Berwick St. Films

1272 - Administration documents for Astor, Boyd and Hope

1273 - Shooting documents for 'Gossip'

1274 - Script agreement for 'Profumo'

1275 - Michael Relph's correspondence

1276 - Exhibition documents for 'East of Elephant Rock'

1277 - Storyboards for 'Goldeneye'

1278 - Directors' reports for Berwick St. Films

1279 - Boyd's financial correspondence

1280 - Production company documents

1281 - Papers for the sale of 8 Berwick St.

1282 - Earnings documents for Kendon Films

1283 - Financial documents for Minbourne Ltd. and Kendon Films

1284 - Financial documents for Wallace Publicity

1285 - Kendon Films correspondence

1286 - Financial documents for Boyd's Co.

1287 - Financial documents with Pannell Kerr Forster Chartered Accountants

1288 - Travel documents for Cannes Film Festival

1289 - Accounts' correspondence

1290 - Business correspondence

1291 - Production notes for 'Look Back in Anger'

1292 - Correspondence for Minbourne Group

1293 - Various administration documents

1294 - Administration agreements

1295 - Administration documents for Minbourne Ltd.

1296 - Minbourne Ltd. consolidated accounts

1297 - Financial documents for Berwick St. Recording Studios

1298 - Option agreement on 8 Berwick St.

1299 - Administration documents

1300 - Administration documents

1301 - Legal documents for Minbourne Ltd.

1302 - Production company accounts documents

1303 - Production company legal documents

1304 - Policy documents for AIP

1305 - Issues of A I P and Co.

1306 - Publicity photographs for 'East of Elephant Rock'

1307 - Publicity materials for 'East of Elephant Rock'

1308 - Publicity for 'Choose Me'

1309 - Credits roll for 'Aria'

1310 - Administration documents

1311 - Boyd's financial documents

1312 - Financial documents for 'An Unsuitable Job for a Woman'

1313 - Pre-production documents for 'The Loaf'

1314 - Draft screenplay for 'Carnival War'

1315 - Statement of affairs for Boyd's Co.

1316 - Administration financial documents

1317 - Miscellaneous interview transcripts

1318 - Personal expense documents

1319 - Michael Relph's correspondence

1320 - Production documents for 'Gossip'

1321 - Correspondence for Berwick St. Films partnerships

1322 - Audit file for 'Blue Suede Shoes'

1323 - Audit file for 'Sweet William'

1324 - Audit file for 'The Tempest'

1325 - Financial documents Correspondence

1326 - Administration documents

1327 - Legal documents for 'Scrubbers'

1328 - US distribution documents for Boyd's Co

1329 - Correspondence for 'Look Back in Anger'

1330 - Investment documents for 'An Unsuitable Job for a Woman'

1331 - Financial documents for 'The Lock-Up'

1332 - Cast and crew lists for 'An Unsuitable Job for a Woman'

1333 - Financial documents for 'An Unsuitable Job for a Woman'

1334 - Distribution documents for 'An Unsuitable Job for a Woman'

1335 - Legal documents for 'An Unsuitable Job for a Woman'

1336 - Legal documents for 'An Unsuitable Job for a Woman'

1337 - Credit agreements for 'An Unsuitable Job for a Woman'

1338 - Meeting minutes for Kendon Films

1339 - Music agreements for 'An Unsuitable Job for a Woman'

1340 - Legal documents for 'An Unsuitable Job for a Woman'

1341 - Investment lists for 'An Unsuitable Job for a Woman'

1342 - Administration documents

1343 - Legal documents for 'An Unsuitable Job for a Woman'

1344 - Legal correspondence for 'An Unsuitable Job for a Woman'

1345 - Contracts for 'An Unsuitable Job for a Woman'

1346 - Financial documents for 'An Unsuitable Job for a Woman' and 'Gossip'

1347 - Pre-production documents for 'Scrubbers'

1348 - Pre-production documents for 'Mr Sunlight'

1349 - Notes for 'Hello, We Lied'

1350 - Research for 'Hello, We Lied'

1351 - Research for 'Hello, We Lied'

1352 - Publicity for 'Hello, We Lied'

1353 - Script treatment for 'My Kingdom'

1354 - Screenplay for 'Lucia'

1355 - Production notes for 'The Full Wax'

1356 - Pre-production notes for 'Lucia'

1357 - Pre-production notes for untitled film

1358 - Pre-production documents for 'The Highland Queen'

1359 - Production documents for 'Spittoon'

1360 - Distribution documents for 'The Great Rock'n'Roll Swindle'

1361 - Distribution correspondence for 'The Four Seasons'

1362 - Script treatment for 'Hear Me'

1363 - Statement of affairs for 'Kendon Films'

1364 - Correspondence with Roy Tucker

1365 - Correspondence for the sale of 8 Berwick St.

1366 - Correspondence for the maintenance of 111a Wardour St.

1367 - Pre-production documents for 'Carnival War'

1368 - Pre-production documents for 'The Highland Queen'

1369 - Financial documents for Kendon Films and Wallace Publicity

1370 - Legal correspondence

1371 - Corporate tax documents

1372 - Synopsis for 'The Lock-Up'

1373 - Script treatment for 'Hitch Your Wagon to the Stars'

1374 - Script treatment for 'Mute Fury'

1375 - Correspondence for 'Josh'

1376 - Film revenue correspondence

1377 - Building and estate correspondence

1378 - Financial information on Berwick St. Films 'D' Ltd.

1379 - Financial documents for Berwick St. Films 'A' Ltd.

1380 - Financial documents for Berwick St. Films 'B' Ltd.

1381 - Financial documents for Berwick St. Films 'C' Ltd.

1382 - Financial documents for Berwick St. Films 'F' Ltd.

1383 - Financial documents for Kendon Films Ltd.

1384 - Financial documents for Number 8 Films

1385 - Tax documents

1386 - Accounting documents for Kendon Films

1387 - Financial documents for Kendon Films

1388 - Project development documents

1389 - Investment reports for Ballast Investments Ltd.

1390 - Distribution reports

1391 - Publicity for 'Choose Me'

1392 - Financial documents for Kendon Films

1393 - Untitled book project

1394 - Screenplay for 'Lucia'

1395 - Script for 'Lucia: The Bride of Lammermoor'

1396 - Production documents for 'Lucia'

1397 - File on Lexington Films

1398 - Production documents for 'The Girl With Brains in Her Feet'

1399 - General correspondence for Lexington Films

1400 - Production documents for 'Ruby Wax Meets...'

1401 - 'Celebrities Anonymous' newspaper article drafts

1402 - Research for 'Project 2001'

1403 - Miscellaneous correspondence

1404 - Proposals for several television programmes

1405 - Distribution for 'The Girl With Brains in Her Feet'

1406 - File on the 51st Cannes Film Festival

1407 - Pre-production documents for 'Crossmaheart' and 'Cycle of Violence'

1408 - Script for 'My Kingdom'

1409 - Administrative correspondence

1410 - Exhibition documents for 'Lucia'

1411 - Post-production documents for 'Lucia'

1412 - Production documents for 'Full Frontal in Flip Flops'

1413 - Miscellaneous correspondence

1414 - Private business correspondence

1415 - Business correspondence

1416 - Private correspondence

1417 - Screenplay for 'My Kingdom'

1418 - General correspondence

1419 - Correspondence

1420 - Private correspondence

1421 - Miscellaneous correspondence

1422 - Research for 'Donald and Luba: a Family Movie'

1423 - Production documents for 'Cycle of Violence' and 'Crossmaheart'

1424 - Production documents for 'Lucia'

1425 - Technical documents for 'The Girl With Brains in Her Feet

1426 - Correspondence for 'Captive' (aka 'Heroine')

1427 - Production documents for 'Man, God and Africa'

1428 - Research on cinema attendance in Britain

1429 - Production documents for 'Captive' (aka 'Heroine')

1430 - Michael Relph correspondence

1431 - Financial documents

1432 - Business cards

1433 - Business cards

1434 - Pre-production documents for 'Full Frontal in Flip Flops'

1435 - Publicity for 'Some Hope'

1436 - Press cuttings relating to Boyd's Co. films

1437 - Press cuttings for 'Twenty-One'

1438 - Documents relating the Premiers Plans European First Film Festival

1439 - Boyd's business telephone book

1440 - Photographs for 'Captive' (aka 'Heroine')

1441 - Draft of investment offer for Boyd-Purdie Productions

1442 - Production documents for 'The Magic Shop'

1443 - File on Kendon Films' change of name to Boyd's Co.

1444 - Proposal for 'The Jazz Department'

1445 - Proposal for untitled 'Tibetan Book of the Dead' film

1446 - Boyd presentation notes

1447 - Papers for Boyd's Co. representation at the Cannes Film Festival

1448 - Information document for 'Understanding the Eady Levy'

1449 - Show transcripts for Boyd TV appearance

1450 - Transcript of an article for The Guardian

1451 - Publicity for 'Happily Ever After'

1452 - Distribution documents for 'Scum'

1453 - Correspondence for future projects

1454 - Miscellaneous correspondence

1455 - Distribution research for Lexington Films

1456 - Pre-production documents for untitled Shakespeare project

1457 - Financial documents

1458 - Early Boyd career file

1459 - Miscellaneous correspondence

1460 - Reports on the British film industry

1461 - Notebook of Boyd's notes

1462 - Correspondence for 'The Undeclared War'

1463 - Research for 'Goldeneye'

1464 - Cast and schedule lists for 'Goldeneye'

1465 - Publicity for 'Goldeneye'

1466 - Correspondence for 'Goldeneye'

1467 - Shooting drafts and notes for 'Goldeneye'

1468 - Production documents for 'Goldeneye'

1469 - Post-production documents for 'Goldeneye'

1470 - Financial documents for 'Goldeneye'

1471 - Correspondence for 'Goldeneye'

1472 - Correspondence for 'Goldeneye'

1473 - Production documents for 'Goldeneye'

1474 - Publicity for 'Twenty-One'

1475 - Exhibition documents for 'Twenty-One'

1476 - Exhibition file for 'Twenty-One'

1477 - Union related documents

1478 - Boyd's correspondence

1479 - Legal correspondence

1480 - Financial reports for Aldeburgh Cinema Ltd.

1481 - Financial correspondence

1482 - Correspondence with Duncan Lawrie

1483 - File on Freud Communications publicity firm

1484 - Correspondence with Tim Johnson

1485 - Tax documents

1486 - File for Anglo-International premises at 21A Kingley Court

1487 - Research materials for a documentary about Louis Malle

1488 - Script for 'The Italian Lesson'

1489 - Casting documents for 'Lido'

1490 - Scripts for 'Lido'

1491 - Legal dispute with British Airways

1492 - File on Boscombe Investment Co. Ltd.

1493 - Correspondence with H W Fisher and Co.

1494 - File on unpaid bills

1495 - Boyd's personal papers and notebooks

1496 - Financial documents

1497 - Boyd's financial documents

1498 - File on Tokyo film festivals

1499 - Pre-production documents for 'The Web'

1500 - Press cuttings for Said Aburiche's book, 'Cry Palestine'

1501 - Technical documents

1502 - Proposal for 'Intimate Reflections'

1503 - Proposal for 'The Fall (aka 'La Chute')

1504 - Pre-production for 'Let Them Call it Jazz'

1505 - Publicity for 'Scum'

1506 - Screenplay for 'Fiddle City'

1507 - File on the William Morris Agency

1508 - Distribution correspondence for 'East of Elephant Rock'

1509 - Screenplay for 'The Innocent'

1510 - Research on budget documents

1511 - Correspondence regarding Zoe Heller projects

1512 - Financial documents for 'Aria'

1513 - Screenplay draft for 'Manon Lescaut'

1514 - Correspondence for 'War Requiem' and 'Goldeneye'

1515 - Correspondence regarding script submissions

1516 - File concerning a film and screenwriting festival

1517 - Script reports

1518 - Publicity for 'Lido'

1519 - Crew documents for 'Lido'

1520 - Scene summaries for 'Lido'

1521 - Script draft for 'Lido'

1522 - Pre-production documents for The Cannes Project (Cote d'Azur)

1523 - Three script drafts for 'Cote d'Azur'

1524 - Publicity for 'Twenty-One'

1525 - Stills and slides from 'Twenty-One'

1526 - Photographic portraits of Boyd

1527 - Boyd's notebook

1529 - Programme for the Royal Film Performance

1530 - Boyd press releases

1531 - Location documents for 'Goldeneye'

1532 - Pre-production documents for 'Lucia'

1533 - Pre-production notes for 'A Fight to the Death'

1534 - Pre-production documents for 'Man, God and Africa'

1535 - Lecture transcript for 'Forward or Fiasco'

1536 - Proposed TV projects

1537 - File on the RCA Opera Project (aka 'Aria')

1538 - Production costs documents

1539 - Chart of grosses for London cinemas

1540 - Proposal for the British Film Year Education Programme

1541 - Boyd's notebook

1542 - Boyd's passport

1543 - Boyd's notebook

1544 - Location photographs

1545 - Boyd's diary

1546 - Boyd's diary

1547 - Boyd's diary

1548 - Boyd's diary

1549 - Boyd's diary

1550 - Boyd's diary

1551 - Boyd's diary

1552 - Boyd's diary

1553 - Boyd's diary

1554 - Boyd's diary

1555 - Boyd's diary

1556 - Boyd's diary

1557 - Boyd's diary

1558 - Boyd's diary

1559 - Boyd's diary

1560 - Boyd's diary

1561 - Boyd's diary

1562 - Boyd's diary

1563 - Boyd's diary

1564 - Boyd's diary

1565 - Boyd's diary

1566 - Boyd's diary

1567 - Boyd's diary

1568 - Boyd's diary

1569 - Boyd's diary

1570 - Boyd's diary

1571 - Boyd's diary

1572 - 'An Unsuitable Job for a Woman'

1573 - 'The Profession of Violence: The Rise and Fall of the Kray Twins' Vicious Criminal Empire'

1574 - 'Circles of Life'

1575 - 'Benjamin Britten's War Requiem: the Score'

1576 - 'Manon Lescaut: Giacomo Puccini's Opera Vocal Score'

1577 - 'Manon: Jules Massenet's opera score'

1578 - Photographs for 'Intimate Reflections'

1579 - Photographs for 'HonkyTonk Freeway'

1580 - Photographs for 'HonkyTonk Freeway'

1581 - Production slides for 'Gossip'

1582 - Production photography for 'Gossip'

1583 - Photography for 'East of Elephant Rock'

1584 - Negatives for 'East of Elephant Rock'

1585 - Photography for 'Scum'

1586 - Photography for 'Sweet William'

1587 - Photography for 'Sweet William'

1588 - Publicity photographs for 'The Tempest'

1589 - Publicity photographs for 'The Princess and the Pea'

1590 - Photographs for 'Twenty-One'

1591 - Publicity stills for 'Blue Suede Shoes'

1592 - Various photographs of Don Boyd

1593 - Photographs for 'An Unsuitable Job For a Woman'

1594 - Production photographs for 'Captive' (aka 'Heroine')

1595 - Production photography for 'Captive' (aka 'Heroine')

1596 - Photography for 'Kleptomania'

1597 - Photographs for 'Goldeneye'

1598 - Photography for 'Aria'

1599 - Boyd photography of the Cannes Film Festival

1600 - Photographs of the 'Ruby Wax Show'

1601 - Boyd production photographs

1602 - Photographs for 'The Girl With Brains in Her Feet'

1603 - Slides for 'Kleptomania'

1604 - Production photographs for 'Gossip'

1605 - Set design photographs for 'Gossip'

1606 - Release script for 'Intimate Reflections'

1607 - Stills from 'East of Elephant Rock'

1608 - Actor caricatures for 'East of Elephant Rock'

1609 - Production photography for 'Gossip'

1610 - Photographs from Cannes Film Festival

1611 - Signed Charles Dance portrait

1612 - Publicity stills for 'Sweet William'

1613 - Production photography for 'Scrubbers'

1614 - Production photography for 'Hussy'

1615 - Character photography from 'Blue Suede Shoes'

1616 - Production photography for 'Blue Suede Shoes'

1617 - Set photography for 'Captive' (aka 'Heroine')

1618 - French poster for 'Twenty-One'

1619 - Wrap portrait from 'War Requiem'

1620 - Wrap portrait from 'Aria'

1621 - Portrait of Robert Altman

1622 - Variety 30th International Film Annual

1623 - Screen International

1624 - Interviews with Boyd

1625 - The Observer Magazine

1626 - Screen International

1627 - I-D Magazine

1628 - Vogue magazine

1629 - Premiere magazine

1630 - Vanity Fair

1631 - Vogue magazine

1632 - Mirabella magazine

1633 - The Business of Film

1634 - GQ Magazine

1635 - Blitz Magazine

1636 - Screenplay for 'The Blue Hour'

1637 - Screenplay for 'Streetbash'

1638 - Screenplay for 'Aston the Bastard'

1639 - Outlined treatment for 'The Road From Town'

1640 - Screenplay for 'The Housewife and the Assassin'

1641 - Screenplay for 'Joyce'

1642 - Screenplay for 'Flannel Pyjamas'

1643 - Script synopsis for 'South'

1644 - Screenplay for 'Solla Solew'

1645 - Screenplay for 'Mojo'

1646 - Shooting script for 'A Further Gesture'

1647 - Screenplay for 'Ernest the Third'

1648 - Screenplay for 'The Wandering Jew'

1649 - Screenplay for 'The Big One' (aka 'Carlin')

1650 - Screenplay for 'Just a Little Rain'

1651 - Screenplay for 'Playmaker'

1652 - Screenplay for 'The Comfort of Strangers'

1653 - Screenplay for 'Weekend'

1654 - Screenplay for 'Scallys'

1655 - Screenplay for 'A Different Kind of Love (Go Now 2)'

1656 - Screenplay for 'The Debt Collector'

1657 - Screenplay for 'Live From Golgotha'

1658 - Screenplay for 'Killing Time'

1659 - Screenplay for 'The Beast'

1660 - Screenplay for 'Biarritz'

1661 - Screenplay for 'The Yellow Handkerchief'

1662 - Screenplay for 'Last Stop'

1663 - Screenplay for 'War Requiem'

1664 - Screenplay for 'In the Name of the Father'

1665 - Research for 'The Cad: The Scottish Sausage Scandal'

1666 - Screenplay for 'Outlaws'

1667 - Screenplay for 'The Gossip Columnist'

1668 - Screenplay for 'Manon Lescaut'

1669 - Screenplay for 'Manon Lescaut'

1670 - Screenplay for 'Gossip'

1671 - Screenplays for 'An Unsuitable Job for a Woman'

1672 - Financial documents for 'Travelling On'

1673 - Screenplay for 'Travelling On'

1674 - Production documents for 'Blue Suede Shoes'

1675 - File for Number 8 Films

1676 - Publicity for 'An Unsuitable Job for a Woman'

1677 - Framed poster for 'The Tempest'

1678 - Framed poster for 'Captive'

1679 - Framed poster for 'Hussy'

1680 - Framed poster for 'Scrubbers'

1681 - Framed poster for 'Choose Me'

1682 - Framed poster for 'Honky Tonk Freeway'

1683 - Framed poster for 'Scum'

1684 - Framed poster for 'The Great Rock'n'Roll Swindle'

1685 - Framed poster for 'An Unsuitable Job for a Woman'

1686 - Certificate for 'Anti-Clock'

1687 - Certificate for 'Scrubbers'

1688 - Certificate for 'East of Elephant Rock'

1689 - Certificate for 'The Tempest'

1690 - Certificate for 'Intimate Reflections'

1691 - Framed poster for 'Intimate Reflections'

1692 - Artwork for 'The Golden Heart of Doctor Dream' (aka 'The Rainbow Upside Down')

1693 - Production documents for 'Twenty-One'