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EUL MS 230 - Literary and personal papers of John Moat - 1950s-1990s
1 - Early Poems in Typescript
2 - Sketchbooks and Journals
3 - Literary Drafts and Notes
1 - Notebook 'Towards: Blanche' - ? 1960s
2 - Notebook 'Notes on Reading Hughes' Goddess of Complete Being' - ? 1960s
3 - Typescript working drafts of various poems - ? 1960s
4 - Formative notes and character indications for 'Mai's Wedding' - ? 1960s
5 - Manuscript first drafts of poems
6 - Manuscript first drafts of poems
7 - Workings for 'Winter Solstice' - ? 1960s
8 - Poem drafts for Firewater and Miraculous Mandarin sequence; second phase of Practice and Cold Spell
9 - Short Stories [Splosh] and abandoned young people's story
10 - First draft of the first part of the novel SM and the Fabrication of Gold
11 - The completion of the novel SM and the Fabrication of Gold - ? mid 1980s
12 - Handwritten first draft of the novel, Blanche
13 - Handwritten draft of the play, The Tugen and the Toot
14 - Poetry and short story drafts for 'Winter Passage. Stages of Solar Eclipse. Ballad of Leal, Skeleton Key, Ironside, Ballad of Le Cosquer, Bartonwood thoughts etc.' - ? 1960s
15 - Typescript of 'The Overtures' - ? 1960s
16 - Copy typescripts '10 Overtures' - c 1985
17 - Final draft for revised 'The Tugen and the Toot' - 23 Apr 1987
18 - 'Mai' - c 1985
19 - 'Mai'
20 - Notes for 'The Tugen and the Toot'
21 - Original SM (circumambulatio) worked on with Roger Dennis - 1972-1973
22 - 'Circumambulatio, SM'
23 - 'Bartonwood' - 1978
24 - Corrected typescript of 'Hermes and Mary Magdalen (the unlikely affair)' - c 2000
25 - Typescript of 'Hermes and Mary Magdalen' and other notes
27 - Final revision of 'The Porcelaine Leaf' - 2007
4 - Correspondence, with essays, between John Moat and John Lane of Beaford Centre - 1972-1973
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