Correspondence concerning 'Working With Britten' Correspondence concerning Ronald Duncan's memoir 'Working with Britten'. Primarily concerns the whereabouts of missing Benajmin Britten manuscripts, letters to publishers, notes on factual errors, editorial corrections, the use of Britten Estate copyright material and contractual issues with W. H. Allen. The missing manuscripts concern 'The Pacifist March', The waltz for the Punch Revue, 'Stratton', a folk song known as 'The Glow Worm', 'The Eagle has Two Heads', the Kyrie for his mass and 'The Rape of Lucretia'. Includes some passages from the draft typescript, photocopies of corrected proof pages, press cuttings on Britten's estate, a timeline and notes on Benjamin Britten's life, a photocopy of part of the score of 'The Rape of Lucretia', and photographic copies of Britten's Kyrie and the annotated front page of 'Peter Grimes'. Correspondents include: Boosey and Hawkes (Celia Springate) Del Mar, Norman Eric Glass Ltd Faber Music Ltd (Donald Mitchell) Forsyte Kerman (Isador Caplan) Harbottle and Lewis (M.H.D. Bowler) Harper and Row (Ann Harris) Lascelles, George (Lord Harewood) Lewnstein , Oscar The Observer Opera Magazine (Harold Rosenthal) Oxford University Press (Marjorie Mueller) Random House Strode, Rosamund Sunday Times (Magnus Linklater, Mark Boxer) Theatre Museum (Jennifer Aylmer) Weston-Smith, Miranda W.H.Allen & Co (Francis Allen, Aubrey Davis) 3 October 1974-11 November 1980