| Repository | Bill Douglas Centre Archives (GB 2869) |
| Ref No | BDC 1/XAD/6/1 |
| Date | 2000- |
| Level | Box |
| Title | 21st Century Critical Studies |
| Description | The file contains: a magazine of the National Library of Scotland on their exhibition Screening Scotland; correspondence with Kirsten Norrie regarding her chapter on Bill Douglas (also included); Philip Goldie February 2011 University of Warwick undergraduate dissertation titled "'You'd be best advised to forget George Loveless and his clan. No one wants to know them, and no one will remember the!' How has Bill Douglas's Comrades (1987) been neglected and does it deserve reappraisal?" with a letter from Peter Jewell attached; MA Dissertation from the University of Exeter August 2012 titled "Representing Trauma, Loss and Regeneration in Art-Cinema: The Bill Douglas Trilogy"; Rory Stewart's essay titled "How do the films of Bill Douglas resolve the opposition of Andre Bazin's view of montage to the theories and technique of montage championed by Eisenstein?"; MSc Film Studies Dissertation from the University of Edinburgh September 2010 titled "Autobiography, memory, and the figure of the child: what does an analysis of Bill Douglas' Trilogy, and in particular his treatment of landscape, reveal about his placement as a Scottish and a European filmmaker?"; Rebecca Day's dissertation from the University of Stirling May 2005 titled "What might a case study of Bill Douglas's Trilogy reveal about the position of film in Scotland at the time of its making and today?" |
| Language | English |
| Format | Various formats |
| Access Status | Open |
| Copyright | Usual EUL restrictions apply. |
| Creator_Name | Douglas; Bill (1934-1991); filmmaker |
| Jewell; Peter (1934- ); Douglas' friend and executor |