| Description | [NB the box has been divided up into boxes 12a and 12b in order to separate the documents/correspondence from the screenplays, as the latter are slightly mouldy]
Box 12a, 1996-2000, is made up of files containing documents and correspondence for 'Daybreak', as follows:
'Daybreak budgets and CVs', 1998-1999 [also included synopsis and statement of intent for the project, press cuttings, production schedules and scene breakdowns]
'Travel and accomodation and insurance', 2000
'Daybreak General correspondence, faxes sent', 1999
'Daybreak production file July 1999-Nov 1999'
'British Screen, BFI', correspondence, 1996-1998
Box 12b, 1981-1995, is made up mostly of assorted screenplays with a small amount of personal papers and some photocopies of Italian press cuttings about Derek Jarman, 1993-1994, as follows:
'The Woodlouse', Jurgen Haug
'Coyote', synopsis and script, Phil Hendy, 1995
'To Whom it May Concern', Enrico Harvey, 1995
'The Grandson', Jurgen Sieldler, undated
'Exodus of the Great Old Man', synopsis, Andrei Dobrovosky (director)
'Wie Man Sich Bettet', George Stamkoski and Jorg Ziesemer, 1983 and storyboard, 1984
'The Rake's Progress', Julian Sands, 1981
'Carravaggio', Derek Jarman, 1985
'Other Portuguese', treatment, Teresa Villaverde, undated
'The Leatherman', Hans Eppendorfer, 1995
'Kropotkin's Landlady', Patricia Hannah, 1992
'Consider the Butterfly', Patricial Hannah, 1992
'Manor', Wielend Speck, 1993 |